Benedict Cumberbatch fans break ticket record over final episode of Cabin Pressure

Cumber-fans flooded the BBC with requests for a prized ticket to the recording of his last appearance in the Radio 4 comedy - with 22,854 hoping to see him in person later this month

Benedict Cumberbatch fans have broken yet another record – for the most ever ticket requests for a Radio 4 comedy.


According to the BBC there have been 22,854 applications for the recording of his final performance in the comedy Cabin Pressure – the highest number of requests for a single recording of a radio comedy in BBC history. Other single episodes of popular Radio 4 shows can have up to 17,000 requests but this latest figure is unprecedented.

The deadline for applications was 10am today and the BBC says that due to the unprecedented demand it will be operating a random draw to choose which fans will get to see the show. Some press tickets have been allocated and will be among the lucky few in the audience at London’s RADA studios, which is understood to have a capacity of just 200 people.

The one-off, 45-minute episode be recorded this evening and will mark the end of the popular sitcom which is set in a small airline business and stars Stephanie Cole, Roger Allam and writer John Finnemore alongside Cumberbatch. 

Charting the flipside of international air travel, Cole plays forbidding divorcée Carolyn Knapp-Shappey who bosses around her pilots – Allam’s smooth-talking Douglas and Cumberbatch’s Martin, a struggling semi-competent pilot. Finnemore plays her idiotic son Arthur.

Four series of the comedy and one Christmas special have so far aired between 2008 and 2013, and this one-off will be the last.

Explaining the decision to end with a single episode rather than a series, Finnemore wrote on his blog late last year: “When I was planning series three, I decided that (BBC and cast permitting), I would write two more series, and build towards a cliff-hanger, followed by a special.

“I knew by then how important it is when writing an episode to have the ending in mind, and I thought the same would probably be true of a series.”

“This way I get to build towards an ending that I feel is satisfying, rather than it simply stopping one day… or worse, getting tired and repetitive.

“It’s also allowed me to let the characters and their relationships change and develop over the last couple of series, knowing that I’m building in a particular direction, in a way that I couldn’t have done if I’d had to keep them in sitcom limbo.

“It’s very difficult to get [the cast] together, certainly, but they continue to be astonishingly generous about finding ways to make it work. No, this is all my fault. “

Meanwhile, those thousands of fans not lucky enough to secure a ticket will have a long wait to hear the recording – transmission is currently planned for Christmas Eve.