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Creating the Ood - Radio Times, June 2006

An Ood in Doctor Who © BBC
Nick Griffiths feels a bit queasy as he meets some revolting creatures on a trip to the Doctor Who set in Cardiff.

"The Doctor Who studio on the outskirts of Cardiff is an unprepossessing place. To look at this vast tin hut, you might imagine it's where people package tins of cat food into boxes.

Imagine again. The moment you're through the heavy door and thick, black drapes that keep out natural light, you're confronted by the miniature cathedral that is the Tardis interior, and the looming space becomes something special. Behind the Tardis is the set of space station Sanctuary Base .

It's a solid construction, in contrast to certain Doctor Who days of yore: all metallic walkways and moulded perspex windows. Were a giant hand to pick it up and shake it, you sense that bits definitely wouldn't fall off.

David Tennant, Billie Piper and the cast are filming writer Matt Jones's two-parter, The Impossible Planet and The Satan Pit - the ones Piper told RT she found the scariest. The story sees the travellers venturing further than ever before. Or, as the Doctor puts it, "We've gone beyond the Tardis's knowledge - not a good move."

Director James Strong and crew sit at a monitor, preparing to film the introduction of alien race the Ood. But hold on: "Ood"? "I invented the name," says executive producer Russell T Davies. "It's nice, isn't it? I thought, 'Well, I loved inventing the Slitheen and Raxacoricofallapatorius,' and then I thought, 'Why don't I just call something the Ood?' Ha ha ha ha! I did want them to be a bit odd.

"I'm really pleased with them. They were meant to be a slightly cheap monster - in some ways this story isn't about the Ood; it's about the base and the Satan Pit. So you say to [prosthetics ace] Neill Gorton, 'Can you knock us out a monster?' but he can't just knock something cheap out! They're the most brilliantly made monster in the world. I love them!"

Around the corner, behind Sanctuary Base, are the Ood themselves, preparing for their big entrance.

To face a dozen Ood in the "flesh" is like walking into an alien sausage-fetish convention. Their heads are the plectrum shape of the classic alien, with sloping almond eyes and gill-type nostrils. But it's those tentacles - they're a cross between worms and the inside of an expensive chipolata. They're gross. "There's always a brief description in the script," says Neill Gorton, "and for this story it was 'bald albino things with tentacles like a sea anemone rather than a mouth'."

These aliens are the result. They wear identical, plain outfits, each having a "translation ball" attached to their left breast. The head mask is foam latex, the tentacles, silicone.

"The idea was to have something internal, from inside the mouth…softer tissue," says Gorton. "So we made the tentacles out of different material so they would react differently under the lights. And they move beautifully. You wiggle them and they just wobble." "

**

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