BBC drama SS-GB criticised for “mumbling” and bad sound quality in first episode
The alternative history drama starred Sam Riley as a Detective in Nazi-controlled London – but many viewers had no idea what he was saying…

- Huw Fullerton
Published: Sunday, 7 May 2017 at 8:00 am
The first episode of alternative history drama SS-GB has been criticised by viewers over its sound quality, with many complaining that lead character Douglas Archer (Sam Riley) and several of his colleagues were difficult to understand.
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Such criticisms have previously been levelled at series like Jamaica Inn and most recently Tom Hardy’s Taboo, with viewers taking to Twitter to express their displeasure over the 1941-set thriller (which imagines a world where the Nazis won World War Two, based on Len Deighton’s novel) and its supposedly muffled audio.
#ssgb Subtitle department should have kept it up for all the dialogue. Head melted trying to understand this.
— Paula Nolan (@PaulaStrand) February 19, 2017
Oh God. Gruff-mumbling is spreading from Taboo in to other BBC dramas. #SSGB
— Craig (@CraigD92) February 19, 2017
#SSGB pic.twitter.com/WIJgG2fdid
— rob forster (@robforster61) February 19, 2017
Sam Riley makes Tom Hardy sound like Olivier #mumbling #SSGB
— Victoria Isherwood (@VicIsherwood) February 19, 2017
Sorry @BBC you've been turned off. Sorry I mean murmur murmur murmur #SSGB
— david olding (@olding80) February 19, 2017
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Still, not everyone thought there was a problem for the audio, with some enjoying Sam Riley’s raspy voice and others suggesting solutions for those who claimed not to hear the dialogue.
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Still, it’s not quite the auspicious start the BBC will have wanted for their star new drama, and we wouldn’t be surprised to see a few sound engineers working frantically to make next week’s episode a little more audible.
And if there’s any more concrete response from the corporation, well – we’re all ears.
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SS-GB continues on BBC1 on Sundays at 9.00pm
Authors

Huw FullertonCommissioning editor
Huw Fullerton is a commissioning editor for Radio Times magazine handling comedy, entertainment and specialist drama. In a previous regeneration, he covered all things sci-fi and fantasy for RadioTimes.com.
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