This article first appeared in Radio Times magazine.

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Perched on a deckchair outside Sheffield City Hall, Greg James is enthusing about having just been on stage with his childhood hero and favourite son of the city, Michael Palin.

“Michael massively inspired me. I must have been about eight or nine when I watched Around the World in 80 Days, and I just saw him as this wonderful travel presenter, but then I went on this voyage of discovery and realised this very funny man was also part of the greatest comedy group of all time, and a scriptwriter, an actor, a director and an author.”

The pair were recording a live episode of James’s Radio 4 series, Rewinder, at the Crossed Wires podcast festival, which featured a trove of archive clips linked to the former Python’s life and career – from his first screen performance in a saucy Ken Dodd sketch to his old geography teacher reminiscing about Palin’s school days.

The previous evening James hosted another show at the festival, Nobody Expects the Michael Palin Podcast, in which ostensibly he tried to persuade Palin – surely one of the few famous people not to have a podcast – that he needs one.

“One thing I love about him is that he is endlessly curious – he loves meeting new people, experiencing new things and finding out about stuff, and I think finding out about podcasts is an extension of everything else that he does.”

But the podcast wheeze was really a red herring: “It was an excuse to interview him about his life in Sheffield. That was the magic.”

An endless curiosity is perhaps something that could also be attributed to the 39-year-old Radio 1 Breakfast presenter, Radio 4 archivist, Tailenders cricket podcast host, children’s author and, from this year, creative director of Crossed Wires.

When asked where that drive comes from, he returns to the influence of Michael Palin, “He approaches everything he does with such enthusiasm and genuine passion – I try to do that as well. You need role models and I don’t think there’s a better one than him. He’s a great example of ‘nobody is just one thing’.”

Yet one does wonder whether the multiple strands of James’s career are in fact a strategy for a man about to bid farewell to his 30s, whose main job for the past 18 years has been on a pop radio station famous for sidelining presenters when they don’t fit its young demographic. Is his Radio 4 work, Tailenders and the podcast festival an insurance against the time when Radio 1 bosses decide he’s outgrown his audience?

“No, I don’t look at it like that. I take on too many things because I enjoy them, not because I won’t have any work. I love Radio 1 with my whole heart, it’s all I’ve listened to since I was a kid, and actually I didn’t think I’d still want to be on it, but I’m still finding new challenges with it. It’s fantastic, I still find the listeners endlessly fascinating and funny.”

James says he has a good relationship with his bosses, who he checks in with every year to make sure they still want him to continue in the job and that, if in that annual review they decided it was enough, “I would have no regrets. I would go, ‘OK, I’ve got more to give but I’m cool with it.’”

As he’s being given an extra 30 minutes each morning over the summer, that day isn’t quite here yet, and there are hints an early exit would not be greeted quite so coolly. “I feel incredibly lucky to still be on Radio 1, it’s a real privilege to be there so I don’t want to go too soon. It takes a long time to get to the breakfast show, so I want to make sure that when I leave, it’s the exact right time.”

When that time does come, James will no doubt be emulating his hero and boarding a train for a new adventure.

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Radio Times cover featuring Danny Dyer in character for Mr Bigstuff.
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