A Knight of the Seven Kingdoms' most graphic scene so far makes a crucial point about the show
It's not just for the shock factor.

Plenty of people have had a s**t time of it in Westeros, but few have had it quite as bad as Dunk (Peter Claffey).
A Knight of the Seven Kingdoms begins with the modest hedge knight in mourning. Once Dunk has wiped away his tears, the plan is to honour his late master, Ser Arlan of Pennytree (Danny Webb), in a jousting tournament nearby. But before he heads off to compete, another task must be completed first.
It's all very serious as Dunk buries Arlan with all the gravitas you might expect from a show set in this world. The music swells and builds ceremoniously as the hero's journey is about to begin…
And then we suddenly cut to Dunk defecating by a tree.
It's not a brief dump either. The camera cuts from a modest overhead shot to a wide angle where we can see the full extent of the poop spraying out from Dunk's behind.
Targaryens will get down and dirty in all kinds of ways, often with their own siblings, but you'd never catch one of them doing that. Not on camera anyway.

Of course, Dunk doesn't know he's being watched by us either. Poor guy. And things are about to get a whole lot worse for him before they get better…
It's tempting to assume the graphic nature of this scene has been included this early on just for shock value. Games of Thrones is hardly known for taming things down, after all. But like a doctor looking through a stool for answers, we too can learn a lot about Dunk and this show's outlook through a messy scene like this.
There's the abrupt shift in tone for one. While both Game of Thrones and House of the Dragon are rather serious (for the most part), leading with this bowel movement early on establishes that this ain't your nana's Westeros — not by any means.
Humour is as integral to A Knight of the Seven Kingdoms as knights and kingdoms are. It's there in the way people greet each other — "What you gawping at, you blue eyed c**t?" — and it's there in the crueller putdowns too, like when a woman says early on, "A hedge knight is like a knight, but sadder."
None of this is funny for Dunk, of course, just as it's not amusing to poop outside without a roll of bog paper to wipe up. But this kind of callous toilet humour situates the show in a very different place than previous visits to Westeros, making us laugh while also establishing the realities of life for an everyman who wasn't fortunate enough to be born into nobility.

This outlook differentiates A Knight of the Seven Kingdoms from both Thrones and House of the Dragon in ways that this franchise sorely needed. There's only so many times you can circle back to nobility in Westeros before risking repetition, and as this series proves, there's a whole world out there full of interesting new stories to navigate.
To be fair, Game of Thrones did manage this to some degree, and once even with poop as well.
Remember at the start of season seven when Samwell Tarly (John Bradley) began maester training only to discover that this entailed cleaning up human waste? Bradley spoke to Vulture about the importance of this bedpan sequence at the time:
"The first time we see Sam, he’s being put through abject misery compared to how elated he was when he first arrived at the Citadel at the end of season six. He’s so disenchanted with it all, realizing that after all the time he’s invested in the Wall all these years, he’s now away from everybody."
"Sam is restless and angry," adds Bradley, "and he feels he’s letting Jon down. The scene makes you believe all that. It’s a very functional scene at establishing his psychology and his motives going into this season, but it does it in a very entertaining and, hopefully, very funny way."

Just as this sequence highlighted the contrast between noble life and the gritty toil of scholarly pursuits, so too does the excrement in Seven Kingdoms, which points to hardship for Dunk.
As showrunner Ira Parker told RadioTimes.com and other outlets, "The moment behind the tree is so important to season 1. [It's] Dunk feeling this call to try something really hard, to go out there and to be a knight...
"He so badly wants it, he picks up the story, feels this call, but then, of course, like all of us, whenever we try to do something new and hard that we've never done before, your guts just turn to water.
"He's not a hero, yet, he's not this fake version of a hero that senses his destiny and goes out and grabs it. He is a human being like me and you. He wants things, but he doesn't exactly know how to get the better things, and his journey this season is going to be about whether or not he can endure the trials of knighthood, and actually rise to the occasion."
Nothing says you're struggling like pooping under a tree and sleeping out in the open. But we're not just meant to feel sorry for Dunk. This is simply the life of an everyman in Westeros, yet even so, this humble hedge knight doesn't let it get him down.
By establishing Dunk's world as a cruel one, it's all the more impressive when he sticks to his guns in the face of great difficulty. With Egg (Dexter Sol Ansell) by his side, Dunk's belief in what's right never falters and that makes him a hero worth rooting for. Unfortunately, the same can't be said for the ruling class above him whose merest whims can send our hedge knight spiralling.
Dunk has been dealt a s**t hand, and I'm not just talking about the lack of toilet paper in that field. But, this is exactly what sets A Knight of the Seven Kingdoms apart and makes it a worthy extension of George R. R. Martin's world.
A Knight of the Seven Kingdoms premieres on 19th January 2026 on Sky Atlantic and NOW and airs in the US on HBO.
Game of Thrones seasons 1 to 8 and House of the Dragon seasons 1 and 2 are available to stream on Sky and NOW – find out more about how to sign up for Sky TV.
If you’re looking for something else to watch in the meantime, check out our TV Guide and Streaming Guide, or visit our dedicated Fantasy hub. For more TV recommendations and reviews, listen to The Radio Times Podcast.
Authors
David Opie is a freelance entertainment journalist who writes about TV and film across a range of sites including Radio Times, Indiewire, Empire, Yahoo, Paste, and more. He's spoken on numerous LGBTQ+ panels to discuss queer representation and strives to champion LGBTQ+ storytelling as much as possible. Other passions include comics, animation, and horror, which is why David longs to see a Buffy-themed Rusical on RuPaul's Drag Race. He previously worked at Digital Spy as a Deputy TV Editor and has a degree in Psychology.





