Visions and Hamilton actor says Star Wars musical "could totally work"
One of the voices behind Star Wars: Visions believes the possibilities are "limitless".
Hamilton alum Jordan Fisher has voiced his support for a Star Wars musical, following his recent voice role in Disney Plus anime series Star Wars: Visions.
The actor plays Padawan learner Dan G'vash in an episode called The Elder, which sees him journey to a mysterious Outer Rim planet with Jedi master Tajin Crosser (Stranger Things' David Harbour).
Having previously worked on Broadway productions of both Hamilton and Dear Evan Hansen, Fisher knows a thing or two about musicals and is confident that the Star Wars universe could lend itself to the format.
"I definitely think that there's a world where it could work," he told RadioTimes.com. "In a sci-fi universe like this, you have the opportunity to create a sonic soundscape that's never been heard before, that’s never existed before."
Fisher continued: "What would music sound like on a different planet 2000 years ago? As opposed to what would music sound like on the planet 1000 years from now? That is a limitless well of ability and facility to play and I think there could very well be something really cool that could come out of that."
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Previously, musical celebrations of Star Wars have been limited to Disneyland skits and internet parodies, but the idea of a serious production sends Fisher's imagination to work.
He added: "I think about all the different plug-ins that I could open up on [recording software] Logic and find sounds and piece them together to create soundscapes that have never been heard before.
"That could totally influence a sonic landscape for a film or something like that for Star Wars. That could totally work. I think it would just be a matter of the right people on it; the right creative minds getting together where it's authentic."
Certainly, a carefully selected team would be required to bring this (at present hypothetical) project to life, with Spider-Man: Turn Off The Dark providing a cautionary tale of when musical blockbuster adaptations go wrong.
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