It was a landmark moment for the streaming service, which rarely calls time on its Original series prematurely – period drama Marco Polo perhaps being the only major exception of recent years.
So what happened? Why did Moulin Rouge director Baz Lurhmann’s hip hop epic fail to pick up a second season, or transnational sci-fi Sense8 not get beyond season two?
Netflix’s chief content officer Ted Sarandos has given a little hint of what made the company cancel both shows within a week of each other.
“Relative to what you spent, are people watching it? That is pretty traditional,” he explained at an industry panel according to Variety. “When I say that, a big expensive show for a huge audience is great. A big, expensive show for a tiny audience is hard even in our model to make that work very long.”
The Get Down cost a reported $12 million per episode to make; Sense8 cost a reported $9 million an episode.
Sarandos is attempting to look on the bright side: “It’s one of those things that you know you’re pushing the envelope if every once in a while you fall,” he said.
“And you go back and start over again. If you have hit after hit after hit, you question yourself — are you trying hard enough? Are you too conventional?”
That said, sounds like Netflix might just start behaving like a “conventional” broadcaster and start making more tough decisions about its shows.
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