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With this part-improvised film-making "exercise" - shot over a weekend in Venice using a cast as varied as David Schwimmer, Rhys Ifans and John Malkovich - director Mike Figgis confirms his position as one of Britain's most visionary directors. The story, which unfolds in a decidedly obtuse and sketchy fashion, concerns the fraught making of a movie-within-a-movie of John Webster's Duchess of Malfi according to Dogme rules, against a background of murder and casual cannibalism. It's odd, yes, but compelling and even darkly funny. Shot on DV (digital video), Figgis apes the back-to-basics manifesto of the Dogme directors, then flouts it by using arch post-production such as split screen (even four ways, echoing his previous ground-breaker Timecode). The result is occasionally frustrating (and foul-mouthed whenever Ifans is on-screen) but mostly captivating and commendably European for a film-maker with Hollywood form. Salma Hayek is superbly irritating as an MTV-style documentary host, and when Burt Reynolds pops up as a financier, you know you're in weird waters.