Summary
Some sustain that Pier Paolo Pasolini was killed by a young hustler after an encounter that went wrong. Others sustain that he was eliminated by politics because he was considered a troublemaker. Then there was a painter, a dear friend of his, who on the contrary was convinced that the writer from Friuli sacrificed himself to his desire to take part in a pondered and lucid death project, in which death would be seen as his last masterpiece, the final performance of an unprecedented artistic existence. After the death of the poet, he turned the elaboration and search for proof into his theory, an obsession that drove him through the rest of his days. The painter's name was Giuseppe Zigaina and this short film is dedicated to him.
