Summary
An analysis of the construction mechanism for the magic in dominant narrative cinema though the filming of Count Dracula (1970), a commercial film by Jesús Franco.
An analysis of the construction mechanism for the magic in dominant narrative cinema though the filming of Count Dracula (1970), a commercial film by Jesús Franco.
role | name |
---|---|
Self | Christopher Lee |
Count Dracula | Christopher Lee |
Self | Herbert Lom |
Prof. Van Helsing | Herbert Lom |
Self | Soledad Miranda |
Lucy Westenra | Soledad Miranda |
Self | Jack Taylor |
Quincey Morris | Jack Taylor |
Self | Emma Cohen |
Vampire Woman | Emma Cohen |
Self | Jesús Franco |
Van Helsing's Servant | Jesús Franco |
Self | Colette Jack |
Greta, Housekeeper | Colette Jack |
Self | Jeannine Mestre |
Vampire Woman | Jeannine Mestre |
Self | Paul Muller |
Dr. Seward | Paul Muller |
Self | Maria Rohm |
Mina Murray | Maria Rohm |
role | name |
---|---|
Director | Pere Portabella |
Writer | Joan Brossa |
Composer | Carles Santos |
Editor | Miguel Bonastre |