Paranormal Activity review: Theatre horror that startles rather than haunts
Spooky things are afoot at the West End.
Directed by Felix Barrett and written by Levi Holloway, Paranormal Activity makes the jump from screen to stage with a new adaptation that leans into atmosphere and theatrical surprise rather than outright terror. Horror, at its best, is rarely just about scaring audiences. It often explores deeper emotional and psychological ideas, and Holloway is clearly interested in that territory. In an interview with Radio Times, he spoke about how "people are haunted. When two people bring their ghosts into a marriage, sometimes something goes wrong". That idea sits at the centre of this story, which follows American couple Lou and James after their move from Chicago to the UK. Played by Melissa James and Patrick Heusinger, the pair give committed performances, grounding the production in a recognisable, and often uncomfortable, domestic realism. From the outset, cracks in the relationship are apparent. Moments of tension and miscommunication underpin the supernatural elements that begin to creep in. Where the production truly leans into its strengths is in its theatricality. This is a production that understands what live theatre can offer horror: not just performance, but space and sound too. Flickering lights, darkness and sudden bursts of noise all contribute to the uneasy atmosphere, but the design is doing much of the heavy lifting. Designed by Fly Davis, the two-storey house that forms the set becomes almost an actor in itself. The action unfolds across multiple rooms and levels, allowing the staging to play with audience expectations and perspectives. There are moments that shock in the instant and others that linger longer, leaving you replaying them once you’ve left the theatre. As a piece of stage horror, Paranormal Activity favours tension and surprise over lasting dread. It may not leave you afraid to turn off the lights at home, but in the moment, it delivers some genuinely effective shocks. On its own terms, that’s largely where it succeeds. When and where can I see Paranormal Activity? Paranormal Activity is running at London's Ambassadors Theatre from now until 28th March 2026. You can find tickets at LOVETheatre from £29. Buy Paranormal Activity tickets at LOVETheatre Make sure you also check out the best West End shows and our list of 40 Les Misérables backstage secrets. Also, here's how to get cheap Cadbury World tickets.
Into the Woods review: Bridge Theatre revival is a sheer force of nature
Much like a forest relies on its ecosystem of trees, Stephen Sondheim's classic musical Into the Woods relies entirely on the collective talent of its ensemble. Thankfully, the Bridge Theatre's brand-new adaptation has been blessed with a cast whose performances intertwine and overlap to become a sheer force of nature on stage. Having not been performed at the West End in over a decade, there was some pressure on director Jordan Fein in bringing this '80s favourite back to life. The story is a mash-up of well-known fables Cinderella, Jack and the Beanstalk, Little Red Riding Hood and Rapunzel. In the first act, these stories fold around the quest of a cursed baker in search of the ingredients to bring him a child from the evil witch. In the second, a reckoning comes in the form of a giant, and all our fairy-tale heroes are forced to answer the question of what can happen after happily every after comes? Now, as any theatre fan will know, this show is the absolute pinnacle of Sondheim's trademark harmonies and layered lyrics – which can so easily slip from magical to grating when done wrong. The story likewise is in danger of becoming dense and meaningless when you let so many characters and plots flop on top of each other. But fret not, because this production throws off all weight and worry by delivering outward. What I mean by this, is every song, every line delivery, every lighting queue is thrown back at the audience, almost as if punching through the pages of the storybook towards us. Of course the show comes equipped with a narrator whose job it is to break the fourth wall, but even without him the cast seem to spend every second flinging their emotions across the auditorium, reminding us that this complex human story is within all of us – and we must face it. The charged atmosphere this creates would not have been accomplished without the beautiful set design by Tom Scutt. As intended, the woods on stage feel like a living breathing thing, with beautifully textured tree trunks allowing cast members to play. In the second act, the lighting and sound effects take things up a notch with jump scares and blinding lights again forcing the audience into the story. As I've said the cast is immaculate, but I have to praise Chumisa Dornford-May as Cinderella, who brings heart and stunning vocals to the role, and Kate Fleetwood, who said to me in an interview that she 'wasn't much of a singer' and yet belted out an indomitable rendition of Last Midnight in act two. Another highlight was Oliver Savile and Rhys Whitfield, who were wonderfully smarmy and ludicrous as the two princes. With their song Agony, they brilliantly burst the bubble on anyone holding a candle to Prince Charming and were simply hilarious throughout. Otherwise Katie Brayben and Jamie Parker were perfect as the central roles of Baker and Baker's Wife, bringing plenty of charm and depth to the story of this put-upon couple. Overall, this adaptation is a triumphant and an other-worldly return for the much-loved musical, one that truly honours the intentions of the original. It's fair to say that some people find Sondheim's style challenging, but it's far easier to see the genius of it when it's done to this exceptional level. And all the audiences of the Bridge Theatre lived happily ever after... When and where can I see Into the Woods? Into the Woods is playing at Bridge Theatre from now until 30th May 2026. The best route for getting there is either London Bridge or Tower Hill tube station and walking from there. You can find tickets at LOVETheatre from £30. Buy Into the Woods tickets at LOVETheatre Here are the best upcoming UK concerts and tours.
We've reviewed over 30 London theatre shows, musicals and plays this year – here's how they rank
It may seem like something that gets said every December, but 2025 really has been an astounding year for the West End. Iconic shows hit massive milestones, beloved stories got larger-than-life adaptations, and some of Hollywood's biggest stars descended on the streets of London – and in some cases brought them to a halt. This was the year in which both Paddington and Katniss Everdeen made their theatre debuts, while Les Misérables celebrated its 40th anniversary. It was the year Inside No. 9 terrified a whole new audience, and the year Doctor Who himself (Ncuti Gatwa) had an affair with Shakespeare. Quaint British classics like Midsomer Murders also came to the stage, sat alongside big-name American stories like Clueless and The Great Gatsby. Plus, plenty of new stories emerged like Joe Locke's Clarkston and Rosamund Pike's Inter Alia. Lastly, this year has also seen the West End make a very important return to accessibility with individuals like Jamie Lloyd championing low prices and ease of access – made all the easier by the immeasurable talents of Rachel Zegler. So, what to do with all that? Well, we've ranked them, every show the Radio Times' Going Out team has reviewed this year and everything we loved (or lamented) about each. Let's take a look. Best London theatre shows of 2025 ranked 32. The Tempest Run dates: 19th December 2024 – 1st February 2025 Despite the collection of trophies already gathering dust in his cabinet, Jamie Lloyd's West End work has shot to new heights this year. The director's talent for uniting Hollywood's hottest actors with some of theatre's fustiest works to produce pure Olivier-coloured gold, is second to none, but that doesn't mean he always gets it right. His first production the year saw sci-fi superstar Sigourney Weaver take on the role of Prospero in Shakespeare's The Tempest. While the epic dystopian staging was certainly effective, and side characters like Mason Alexander Park shone, overall Weaver's performance fell a little limp and the production failed to find an overall rhythm, leading to two stars from our reviewer. However, as you'll see, it all went up from there. 31. Unicorn Run dates: 4th February– 26th April 2025 When we found out stars of The Split, Nicola Walker and Stephen Mangan, would be reuniting for a 'provocative' throuple-led play with Adolescence's Erin Doherty, a thrill of excitement ran through the Radio Times offices. Unicorn, written by Mike Bartlett, followed the broken marriage of Walker and Mangan, and their decision to reignite things by bringing a third into the relationship. However, upon review we found the show lacked the passion it promised, and the dialogue was surprisingly stilted for actors of their mettle. 30. Noughts and Crosses Run dates: 28th June– 26th July 2025 Malorie Blackman's beloved book series Noughts & Crosses was adapted for a run at the Regents Park Open Air Theatre this summer. Like the novels, the play reimagines a world where Black people (Crosses) are privileged in terms of wealth and power, and discriminate against white people (Noughts), this then becomes further complicated when Calum (a Nought) falls in love with Sephy (a Cross). In our review, we found their doomed love story incredibly moving, but sometimes rushed. When you're cramming in a huge, revered novel into a two-hour play, there's bound to be awkward cuts and difficulties with translation. 29. Every Brilliant Thing Run dates: 1st Aug – 27th Sep 2025 Every Brilliant Thing brought a very interesting pass-the-baton concept to the stage. Taking place this autumn at @sohoplace, the show saw a series of actors, including Sir Lenny Henry, Sue Perkins, Ambika Mod and Minnie Driver, perform a 75-minute list of all the brilliant things in life worth living for – with plenty of additional story thrown in. With such a diverse cast roster, the play left plenty of room for different personalities to sing and shine through the script – which also meant your experience could entirely depend on who was performing. On press night, our reviewer saw Lenny Henry and praised his obviously on-point comic timing; however, some moments of flippancy and laughter left us craving a little more emotional depth. 28. Clueless Run dates: 15th Feb – 23rd Aug 2025 The trend of '90s and noughties rom-coms being transformed into musicals is going nowhere – we just still can't decide if that's a good thing or not. For Clueless the Musical, the answer was a bit of both. With music and lyrics by KT Tunstall, the show had a light, preppy feel, and heaps of nostalgia for all the millennials in the audience, but overall the show failed to be truly exciting or meaningful, and ended up feeling like a slightly hollow version of the original. 27. The Hitchhiker's Guide to the Galaxy Live Run dates: Now – 15th Feb 2026 Douglas Adams' iconic book series adaptation The Hitchhiker's Guide to the Galaxy Live is currently being shown at Riverside Studios for a new immersive experience. Fans can interact with different species and characters as Arthur Dent goes on his unfortunate madcap adventure through space. For fans, this retelling is faithful and enthralling; however for everyone on the more casual level, it's a slightly muddled experience. After all, not everyone knows to have a towel with them. Buy Hitchhiker's Guide to the Galaxy Live tickets at Ticketmaster 26. Grease: The Immersive Movie Musical Run dates: 1st Aug – 7th Sep 2025 Rydell High came to Battersea Park this summer for an immersive, outdoor performance of Grease. With plenty of high-octane dance routines and real fairground rides, it was definitely one we'd make an annual occurrence, but you really have to buy in and be an active participant to get the most out of it. 25. The Hunger Games: On Stage <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/12/GettyImages-2246200489-0bf0971.jpg" width="5420" height="3605" alt="LONDON, ENGLAND - NOVEMBER 11: A general view of the stage during a photocall for "The Hunger Games: On Stage" at the Troubadour Canary Wharf Theatre on November 11, 2025 in London, England. (Photo by Kate Green/Getty Images)" title=""The Hunger Games: On Stage" - Photocall" /> Run dates: Now – 25th Oct 2026 The Hunger Games franchise is the gift that keeps on giving. First, the Ballad of Songbirds and Snakes prequel came out this spring (ahead of a 2026 movie), then the world premiere of The Hunger Games: On Stage arrived in London. Kicking off this October, this adaptation was very keen to make a splash with a new purpose-built arena – ahem, theatre – in Canary Wharf complete with moveable District-assigned seats and an on-screen performance from John Malkovich as President Snow. Mia Carragher, daughter of Jamie Carragher, has had all eyes on her as the iconic Katniss Everdeen, and she massively impressed us with her ability to switch between deep emotion and high-level stunt work. However, as with Noughts and Crosses, it's hard to cram a franchise favourite into an evening, and The Hunger Games does so clunkily at times. Buy The Hunger Games: On Stage tickets 24. Dear England (2025 National Theatre Run) Run dates: 10th Mar – 24th May 2025 Although Dear England has been around since 2023, it had yet another successful run at the National Theatre this spring before heading out on a full-blown UK tour. The Gareth Southgate drama, about the pressures of elite sport and the role of the football team in the national psyche, never fails to impress us with its punchy swings and beautiful performances. It is only right then, that the series is being made into a TV drama next year starring the incredible Joseph Fiennes. Buy Dear England tour tickets from £15 at ATG Tickets 23. Backstroke <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Celia-Imrie-in-BACKSTROKE-Donmar-photo-by-Johan-Persson-2-6bca641.jpg" width="5612" height="3741" alt="Backstroke by MACKMIN, , Writer - ANNA MACKMIN, Director - ANNA MACKMIN, Designer - LEZ BROTHERSTON, Lighting - PAULE CONSTABLE, Video Designer - Gino Ricardo Green, Choreographer - Scarlett Mackmin, Associate Director - FIONA DUNN, The Donmar Warehouse, 2025, Credit: Johan Persson" title="Backstroke" /> Run dates: 14th Feb – 12th Apr 2025 Celia Imrie and Tamsin Grieg went up as mother and daughter in Backstroke this winter. The heart-breaking drama delved deep into the fraught relationships that can exist when parents and children have such differing personalities, while also taking a long look at the way illnesses can affect a soul. Both actresses unsurprisingly ate up the parts, bringing forth every bit of light and shade you could want in this sort of story. Emotional and intimate, we would love to see this back. 22. The Great Gatsby Run dates: 11th Apr – 7th Sep 2025 London was overrun with '20s glamour this year as the Broadway production of The Great Gatsby transferred over to the Coliseum. Starring Jamie Muscato as Gatsby, High School Musical alum Corbin Bleu as Nick Carraway, and Strictly Come Dancing's Amber Davies as Jordan, the show oozed flash and spectacle out of every pore, helped along by an exceptional ensemble of flappers. However, while the glitz and opulence of Gatsby was bang-on, the depth that made F Scott Fitzgerald's novel so memorable was almost entirely missing. You cannot really claim to be an adaptation of the Great Gatsby if the moral messages about loneliness, class and obsession are forfeited for dance routines. 21. The Seagull Run dates: 26th Feb – 5th Apr 2025 The Seagull is a play written by Russian dramatist Chekhov in 1895 and first produced in 1896. For years, theatregoers have been delighted by the production's story around the tensions between four people: a melodramatic failing actress, her famous writer lover, her troubled son, and a young aspiring actress on the up, and this production starring Cate Blanchett and Emma Corrin was no different. With fourth wall breaks and plenty of meta references, this production was strikingly self-aware, forcing the audience to reflect on the theme of actors and being performative. It was also beautifully done by its cast and showed that there are still so many ways to renew such a well-worn production. 20. The Devil Wears Prada <img src="https://images.immediate.co.uk/production/volatile/sites/3/2024/12/Vanessa-Williams-Miranda-Priestly-The-Devil-Wears-Prada-Photo-Credit-Matt-Crockett-4219-8c3d0ee.jpg" width="2400" height="1597" alt="Vanessa Williams as Miranda Priestly. She is wearing a purple outfit, with people around her." title="Vanessa Williams (Miranda Priestly) - The Devil Wears Prada - Photo Credit Matt Crockett (4219)" /> Run dates: Now – 26th Sep 2026 OK, this technically came out last year but it still earns a spot on this list as Vanessa Williams continues to reign supreme over the West End as Miranda Priestly. In our original review, we had nothing but praise for the way the Desperate Housewives star simply relishes the Runway role, showing us an ice queen who loves her life, her fashion and her magazine. Outside of the cast, we also loved this musical for the way it fully embraces the concept of spectacle. Through huge sets, lighting and costumes, it's pure pageantry from start to finish and doesn't care about anything but being a great night out for audiences. Buy The Devil Wears Prada tickets from £23 at TodayTix 19. Farewell Mister Haffman <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/03/Alexander-Waldmann-Joseph-Haffmann-Jennifer-Kirby-Isabelle-Vigneau-and-Michael-Fox-Pierre-Vigneau-credit-Mark-Senior-f7f4182.jpg" width="7570" height="5049" alt="Alexander Waldmann (Joseph Haffmann), Jennifer Kirby (Isabelle Vigneau) and Michael Fox (Pierre Vigneau)" title="Alexander Waldmann (Joseph Haffmann), Jennifer Kirby (Isabelle Vigneau) and Michael Fox (Pierre Vigneau)" /> Run dates: 5th Mar – 12th Apr 2025 Farewell Mister Haffman saw EastEnders' Nigel Harman cut a very chilling figure in this World War II story about a Jewish jeweller who is forced to go into hiding during the Nazi Occupation of Paris. From art-loving Nazis to sexually frustrated tap dancing, this production was packed full of surprises that kept us on edge the entire time. 18. 50 First Dates: The Musical <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/09/The-Cast-of-50-First-Dates-The-Musical-Production-Images-Photo-credit-by-Pamela-Raith-091-d2bc243.jpg" width="3500" height="2384" alt="The Cast of 50 First Dates The Musical all stood and sat around the stage in summer clothing." title="The Cast of 50 First Dates The Musical (Production Images) - Photo credit by Pamela Raith - 091" /> Run dates: 14th Sep – 16th Nov 2025 The last romcom for this list, Adam Sandler and Drew Barrymore movie 50 First Dates hit the Other Palace this winter for a brand-new musical version. Although, as we've said, it's easy to be sceptical of these frequent adaptations, this one stood a cut above the rest for its charm, wittiness and charisma. Every cast member brought their A-game to the stage, with on-point chemistry and care between each of them. The songs were also described as "charming and wholesome" by our reviewer and the overall story translated to the stage well. 17. Clarkston Run dates: 17th Sep – 22nd Nov 2025 Heartstopper's Joe Locke made his West End debut this September in Clarkston, a charming, soulful play about two young men trapped by circumstance in the American Mid-West. Starring alongside future Marvel co-star Ruaridh Mollica, the show did a magnificent job of juggling with your feelings as it tackles the struggles of addiction, terminal illness, privilege and sexuality. Managing to be funny while also horribly sobering, this is a show that surely has its sights set on Broadway in the next few years. 16. Second Best Run dates: 24th Jan – 22nd Feb 2025 Sex Education's Asa Butterfield was exceptional in this wry, witty production of Second Best – the story of one man who almost became the star of the Harry Potter franchise. Although it was his West End debut, Butterfield expertly held the audience's attention throughout, aided by the intimacy of Riverside Studios as a space. Guiding the crowd through ripples of laughter to more serious moments, he clearly has a presence made for stage work. 15. Mrs Warren's Profession Run dates: 10th May – 16th Aug 2025 Imelda Staunton and real-life daughter Bessie Carter went toe-to-toe in this polished version of George Bernard Shaw's Mrs Warren's Profession – a Victorian era play about a mother who earned her wealth through sex work before buying a chain of brothels. Earning four stars from us, this production packed plenty of punch, the unabashed highlight of which was the two scenes between just Staunton and Carter. Sitting across from each other in a battle of wills, both played with our sympathies as they navigated a litany of societal and generational debates, with Carter disapproving of her mother's occupation. In the end, both and neither gained the high ground in the argument, but they did assure us that the Staunton/Carter acting dynasty is secure with hopefully many more collaborations to come. 14. Born with Teeth Run dates: 13th Aug – 1st Nov 2025 Doctor Who's Ncuti Gatwa became a wild thing on stage in the electrifying new play Born with Teeth. Starring Gatwa as Christopher Marlowe and Edward Bluemel as William Shakespeare, the show spotlighted the world of the Tudor spy network, where artists and playwrights were called in for espionage on behalf of the Queen's men. Meanwhile, both writers are tasked to work together on the play Henry VI, but become distracted by their own intense battle of rivalry and flirtation. Sexy and incredibly tense at points, this show was a much-needed reimagining of a sometimes-stodgy period of history. Both leads excelled in their roles as cat and mouse with Gatwa in particular prowling the stage like a caged tiger. We loved this show for its twists and turns and gave it four stars for the way it played with tradition. 13. Midsomer Murders <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/10/Daniel-Casey-Barnaby-James-Bradwell-Troy-Rupert-Sadler-Dennis-Rainbird-in-The-Killings-at-Badgers-Drift-Manuel-Harlan-062a01f.jpg" width="5000" height="3333" alt="Daniel Casey (Barnaby), James Bradwell (Troy) & Rupert Sadler (Dennis Rainbird) in The Killings at Badger's Drift, ©Manuel Harlan" title="Daniel Casey (Barnaby), James Bradwell (Troy) & Rupert Sadler (Dennis Rainbird) in The Killings at Badger's Drift, ©Manuel Harlan" /> Run dates: Now – 30th May 2026 ITV detective series Midsomer Murders got the on-stage treatment this year with a new adaptation of The Killing at Badgers Drift. The show is still on tour with original cast member Daniel Casey stepping into John Nettles's role of DCI Tom Barnaby. When we spoke to him ahead of the production, he said: "It feels right, it’s a little daunting, and I do feel a little bit trepidatious," he said. "But I’m about the age John was in that first episode, so it does feel right. I’m just very excited about stepping into his shoes – although they’re huge shoes to fill." And fill them he has! This adaptation has proved incredibly faithful to fans and the perfect balance of quaint English countryside with tense detective story. Buy Midsomer Murders UK tour tickets from £15 at ATG Tickets 12. Burlesque Run dates: 10th Jul – 6th Sep 2025 For those who haven't yet experienced the wonder of the original film, Burlesque The Musical is based on a film of the same name, starring Christina Aguilera and Cher. This film was an instant hit, especially with the queer community, and has become something of a cult classic since it was first released in 2010. However, this adaptation was elevated even more by the work of co-writer and director Todrick Hall, who infused it with all the glitz and glamour it needed to be a strong four-star hit. 11. Till the Stars Come Down Run dates: 1st Jul – 27th Sep 2025 Now, we loved this show so much our reviewer has decided to retroactively add an extra star to its name. Till the Stars Come Down first premiered at the National Theatre in 2024, where it enjoyed rave reviews before transferring to Theatre Royal Haymarket this summer. The play follows a family from Mansfield as they celebrate Sylvia and Marek's wedding day, but not everyone is happy about Marek's status as a Polish small business owner. Over the course of the day, between drinking and dancing, the relationships between different family members are put to the test. Overall, this play was achingly real and relatable with so many characters feeling like real family members, squabbling, shouting and loving as you would expect at any big reunion. The scripting is immaculate, managing to touch on a wide range of issues – xenophobia, the miners' strike, climate anxiety – without feeling overwhelming, while also being incredibly funny. 10. Hercules Run dates: Now – 18th Jul 2026 Disney's Hercules struck down at the Theatre Royal Drury Lane this summer, replacing the long-running production of Frozen. Despite mixed reviews across the board we at Radio Times adored this show, both for its faithfulness to the hit '90s film and for the sheer joy and lustre it exuded. In true Disney fashion, the show is completely over the top with massive sets, incredible pops and eye-wateringly sparkly costumes. The highlights are Hades and the Muses who deliver note-perfect vocals and note-perfect sarcasm throughout. Plus, you already know the soundtrack is top-tier, so take this as a sign to go see it. Buy Hercules tickets from £29.50 at ATG Tickets 9. Much Ado About Nothing <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Much-Ado-About-Nothing.-Forbes-Masson-Mara-Huf-Hayley-Atwell-Mason-Alexander-Park-Phillip-Olagoke.-Credit-Marc-Brenner.-3757-db6f50a.jpg" width="4363" height="2909" alt="Cast of Much Ado About Nothing dancing on stage" title="Much Ado About Nothing. Forbes Masson, Mara Huf, Hayley Atwell, Mason Alexander Park & Phillip Olagoke. Credit - Marc Brenner. 3757" /> Run dates: 10th Feb – 5th Apr 2025 While The Tempest failed to deliver, Much Ado was a true return to form for Jamie Lloyd. Starring Marvel's Tom Hiddleston and Hayley Atwell, this production was a big, hot pink slap in the face to anyone who claims Shakespeare to be boring. With party scenes, songs and endless confetti raining down from the ceiling, it was certainly an odd choice to cross renaissance comedy with an '80s rave – but somehow it worked. Both leads were absolutely hilarious with their verbal back and forth, not to mention Hiddleston's physical comedy. Yet it still managed to be a love story at its core, with a somewhat raw look at what happens when you find love later in life. Definitely a highlight of the theatrical year. 8. The Importance of Being Earnest Run dates: Now – 10th Jan 2026 Olly Alexander has stepped up to the plate in Oscar Wilde's The Importance of Being Earnest alongside Hugh Dennis and Stephen Fry. Smartly, this adaptation doesn't stray far from the original source material; instead it allows Wilde's wit to shine through. Insanely funny and sharp, this production is still running until January so don't miss it. Buy The Importance of Being Earnest tickets from £18 at TodayTix 7. Punch Run dates: 22nd Sep – 29th Nov 2025 James Graham's Punch was a masterpiece of social commentary and emotive storytelling. Following the real-life tale of Jacob Dunne – a Nottingham man who fatally punched another man unprovoked – this show was a brutal but beautiful look at the cruelty of 'what-ifs' and how one moment can destroy so many lives. With a stellar cast and perfect pacing, this play was absolutely breathtaking. 6. Inside No. 9 Stage/Fright Run dates: 18th Jan – 5th Apr 2025 After rounding off the series last year, Steve Pemberton and Reece Shearsmith brought the record-breaking Inside No. 9 to the stage for a brand-new episode called Stage/Fright. This show was a mixture of familiar scenes from the TV series with new (and very creepy) storylines, complete with a surprise celebrity guest every night. As can be expected when these two are at the helm, the show had twist upon twist and was wrapped up in so many layers of meta it was hard to know when the show really ended. Funny, devastating, terrifying and, of course, clever this was the perfect cherry on top of an already stellar franchise. 5. Inter Alia Run dates: 10th Jul – 13th Sep 2025 Rosamund Pike and Suzie Miller (known for Jodie Comer's Prima Facie) paired up this summer for a new one-woman show, Inter Alia. The story follows Jessica, a Crown Court Judge who deals with plenty of intense cases in the courtroom, many of which focus on sexual assault; however, she is forced to confront this topic differently when this theme enters her life in a much more personal way and must do everything she can to stop her family and work life from falling apart. As can be expected, Miller's writing was bustling, vibrant and emotional, managing to cover a wide range of themes and topics without the play feeling crammed or overstuffed. Likewise, Pike was a tour-de-force, brilliantly showcasing the mind of a woman unravelling as she desperately tries to manage family and work life. The combination was so good, in fact, that the show is returning for another run at Wyndham's Theatre next spring. Buy Inter Alia tickets from £27 at LOVETheatre 4. The Producers Run dates: Now – 19th Sep 2026 Mel Brooks's classic musical, The Producers, has returned for a good long run at the Garrick Theatre – thank god! This much-loved comedy follows Max Bialystock, a failing Broadway producer who decides to rip off his investors by setting up a new musical designed to flop colossally. They search for the most offensive show they can find, and the result is the fawning hagiography Springtime for Hitler, but when audiences believe it to be a satire, the show suddenly becomes a hit. A musical within a musical, this adaptation from the Menier Chocolate Factory is an absolute love letter to the stage. Completely camp and wild, it delivers a perfectly hilarious evening complete with astonishing vocals and top-drawer choreography. Very deserving of a top five spot on this list. Buy The Producers tickets from £28 at TodayTix 3. Good Night, Oscar Run dates: 31st Jul – 21st Sep 2025 Now this was a surprise. Good Night, Oscar – the story of renowned pianist and comedian Oscar Levant who escapes a mental health facility to appear on the famous sofa of talk show host Jack Paar – was one of our absolute highlights of the year. Despite a massively Americanised premise and tone – it did transfer from Broadway after all – this show was a startling and relatable whirlwind from start to finish, brought home by the revelatory performance of Will & Grace's Sean Hayes. Across the show, we saw Levant struggle under the weight of mental illness and addiction, all the while grappling with a near life-long feeling of being second best to the music of his idol Gershwin. This battle resulted in the most moving musical performance I have ever seen, Hayes going to war with the piano and pouring tangible emotion into every key. At the same time, the off-beat humour of the show was on point with Levant and Paar (played by Ben Rappaport) pinging jokes off each other like lightning. If this show doesn't win dozens of Oliviers, we riot. 2. Paddington the Musical Run dates: Now – 14th Feb 2027 Ah Paddington, you did not disappoint. All year we've been building up to the beloved bear's arrival at the Savoy Theatre, and it was just as magical as we wanted. Following the story of the first Paddington film, it sees the young bear migrate from the Peruvian jungle in search of a home in London, where he is found and taken in by the kind Brown family. While Paddington causes havoc at their home in Windsor Gardens, a troubled taxidermist is desperate to get her hands on him and finish her collection. With music and lyrics by McFly's Tom Fletcher, this musical is beautiful, loving and universally appealing. Its story of kindness and family is incredibly timeless and it serves as the perfect introduction for young children into the world of theatre. The show has huge set pieces and brilliant sequences of chaos that bring the magic to life – e.g. the Don't Touch That song – plus there are real moments of jeopardy that keep both adults and kids on the edge of their seats. The cast is fabulous with Victoria Hamilton-Barritt and Bonnie Langford being the highlights, plus, and we can't say this enough, all praise must be given to the way Paddington is brought to life, combining the on-stage movement of Arti Shah and the off-stage voice of James Hameed, who also pilots the puppetry of Paddington's face. Every time he opens his mouth you're in danger of crying. Buy Paddington the Musical tickets from £30 at LOVETheatre 1. Evita <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/06/GettyImages-2220796557-59a82e7.jpg" width="4523" height="3015" alt="LONDON, ENGLAND - JUNE 18: Members of the public watch Rachel Zegler perform "Don't Cry For Me Argentina" live on the balcony as she plays Eva Peron in "Evita" at the London Palladium on June 18, 2025 in London, England. (Photo by Jeff Spicer/Getty Images)" title="Rachel Zegler Performs On The Balcony Of The London Palladium In "Evita"" /> Run dates: 14th Jun – 6th Sep 2025 As if it would be anything else. This year, just for a moment, the West End and the world was brought to a screeching halt by the astounding efforts of Jamie Lloyd and Rachel Zegler. The duo brought back Andrew Lloyd-Webber's Evita, the tale of Argentine First Lady Eva Perón who shot to mythic levels of fame in the mid-20th century. Like the titular character, this show became an absolute spectacle, with pared back staging and simple costumes allowing its star to do what she does best: shine. The most talked about moment, of course, was the Don't Cry for Me Argentina number, which Lloyd decided to take outside onto the balcony of the London Palladium, while audiences inside watched it projected on a screen. This meant for weeks, hundreds of tourists crowded around the theatre in an attempt to see Zegler perform; a move that bought virality and accessibility back to the West End. Aside from that moment, the show pulsed with energy and power, with sensual choreography and unbelievable vocals giving it a veritable heartbeat on stage. Make no mistake, this was the year the London theatre scene changed forever, and it's all thanks to those two. You can also check out how to get cheap Harry Potter Studio tour tickets, how to get cheap London Eye tickets and how to get cheap Disneyland Paris tickets. Also, how to get cheap Madame Tussauds London tickets and cheap London Dungeon tickets, or our Chessington World of Adventures review and Thorpe Park review.
The Hitchhiker's Guide to the Galaxy review: Grab your towel – things get delightfully cosmic
The Hitchiker's Guide to the Galaxy Live is at Riverside Studios until February.
Down in Riverside Studios, you’re invited to step into The Horse and Groom for Arthur Dent’s surprise farewell party, and you won’t just be a passive, silent figure either. No. You’re very much an active participant in this production of The Hitchhiker's Guide to the Galaxy. Directed by Georgia Clark, Simon Evans and Lorin Latarro, The Hitchhiker's Guide is an enjoyable 90 minutes of space faring adventure. From the onset, you feel part of the action. Cast members do the rounds, chatting to you and welcoming you to the party, and when the man of the hour arrives, we’re still encouraged to join in – sharing ideas and singing along. It’s these cast interactions throughout that make the entire production shine. The immersion is elevated further by the design and sets. Fans of the source material will likely appreciate the references most, but even newcomers will feel transported from location to location. The use of video and special effects adds a layer of spectacle that genuinely enhances the journey. However, moving between sets (and sometimes being left to fend for yourself) is where the experience can feel slightly muddled. Things occasionally become a bit crowded, and it’s easy not to know where you’re meant to stand or what you’re supposed to be watching. More than once, it felt like you were in someone’s way or facing the wrong direction, though that may simply be part and parcel of immersive theatre. You’ll have a much richer experience if you’re brave enough to talk to the cast members. Those interactions are what turn this from a fun show into an actual adventure. The highlights for me were my conversations with Alex Anthony Fevrier and Andrew Evans, both of whom made you feel part of the story. Across the board, the cast deliver strong, committed performances. They are sometimes let down by the writing and direction, which doesn’t always give audiences enough time to understand who certain characters are or why we should feel for them, but the energy and delivery are consistently high. The experience leans heavily into humour and excitement, which means some of the emotional stakes towards the end don’t feel fully earned and lack the weight they’re aiming for. It’s well acted and well sung, but we weren’t given enough time to get invested. It's chaotic at times and some of the emotional beats don’t quite land, but as a playful, imaginative trip through the galaxy, it’s a fun night out. Especially for Hitchhiker’s fans. The Hitchhiker's Guide to the Galaxy is showing at Riverside Studios in Hammersmith until the 15th February 2026. To get there, you can either head to Kensington (Olympia) or Hammersmith station. Buy The Hitchhiker's Guide to the Galaxy tickets at London Theatre Direct You can also check out our Paddington Musical review.
Paddington The Musical review: London needs this musical now more than ever
Michael Bond's beloved bear is being very well looked after at Savoy Theatre.
On his journey to becoming a national symbol it has become abundantly clear, a hundred times over, that everything Paddington Bear touches turns sticky, orange, marmalade-scented gold. From record-breaking films, to being a part of the late Queen's Platinum Jubilee, to appearing on every postcard in London, it's almost unfair on other famous characters that Michael Bond's Peruvian Bear should add 'West End star' to his CV – while poor Winnie the Pooh became a horror movie. When seeing Paddington the Musical this weekend I was almost expecting to see a chink in the blue duffle coat armour at last – thinking the pressure of bringing this British icon to life would be too much. How glad I am to be wrong, because this show is simply wonderful. From the minute Paddington enters the stage, the ensemble belting out his name in a pleasingly Hamilton-esque introduction, I sat with an ever-present pool of tears lining my eyes because he is so. Damn. Cute. For those wondering, the role is a combination of on-stage performer Arti Shah and the off-stage voice of James Hameed, who also pilots the puppetry of Paddington's face. Their partnership, with Shah's excitable movements and Hameed's light, innocent voice, give off a palpable magic for kids and adults alike. Not since Les Misérables have I heard so many gasps and sniffles coming from a theatre crowd. The story follows the same plot as the 2014 movie; A young bear migrates from the Peruvian jungle in search of a home in London, only to be found and taken in by the kind Brown family. While Paddington causes havoc at their home in Windsor Gardens, a troubled taxidermist is desperate to get her hands on him and finish her collection. With music and lyrics by Tom Fletcher, the songs definitely carry McFly's brand of universal appeal, blending orchestral layers with fluffy pop and few healthy belters for good measure. The ubiquity of the score means it could happily slot into many a musical, however, the songs are then elevated tenfold by Luke Sheppard's direction and Tom Pye's set design. A good example is the number 'Don't Touch That,' where Paddington arrives at the Browns' house for the first time and becomes overwhelmed by all the newness around him. In his excitement, Paddington runs from pillar to post, destroying the set with sparks, bubbles and, inexplicably, pieces of the ceiling raining down around him – it's a hilarious scene, made better by Mr Brown's (Adrian Der Gregorian) conniptions. Another perfect moment is the second act's ode to marmalade – you knew they had to have that in there – where the entire stage is transformed into a sea of dreamy orange, complete with dance breaks, feathered hats and interaction from the crowd. It is these moments of excess, that one message becomes clear: this is a musical that loves musicals. In a traditional style reminiscent of Cole Porter, Paddington isn't afraid to give you kick lines and hearty ballads, no doubt impacted by Tom Fletcher's upbringing in musical theatre. But, it seems to me the perfect way to introduce your child to the spectacle that musicals can really be. Of course, none of this would work without the cast, who warmly float between cheer, sadness and sharp humour – there's certainly a few jokes only adults will enjoy – with all members earning their moment to shine. It's hard to pick a standout, but for me it would be Victoria Hamilton-Barritt as the villainous Millicent Clyde, who somehow manages to be delightfully hammy and sympathetic, attacking the role with her deep vocals and unapologetically delivering the best song of the show. Otherwise, I found Amy Booth-Steel's character Lady Sloane an unexpected and hilarious hit and Brenda Edwards' Tanya brought heaps of warmth and soul to the stage. And, of course, Bonnie Langford is a tour de force, reminding everyone of the West End legend she is with splits, high kicks and a staggering solo. In any other show I would perhaps call out the shameless amounts of padding in act two, but considering I didn't stop smiling for two hours, I can let that slide. Honestly, this show is exactly what it promised and more. Cutting right into your soul with its message of kindness, love and acceptance, it's a musical we need now more than ever. For anyone who doesn't like it, I'd advise you to have a good hard stare at yourself. Buy Paddington the Musical tickets at LOVEtheatre Where can I see Paddington the Musical? Paddington has found his new home at the West End's Savoy Theatre. The esteemed venue sits right on the strand, and is best travelled to via Charing Cross (on the Bakerloo and Northern Lines) or Leicester Square (Piccadilly and Northern Lines). When can I see Paddington the Musical? The show is currently scheduled to run until October 2026. Performances take place every day except Wednesdays with two shows on Saturdays and Thursdays, and only a matinee on Sunday. How to get Paddington the Musical tickets Paddington tickets are now live at LOVEtheatre starting from £29, although be aware most of December is now sold out. Buy Paddington the Musical tickets at LOVEtheatre Make sure you also check out the best West End shows and our list of 40 Les Misérables backstage secrets. Also, here's how to get cheap Cadbury World tickets.
Midsomer Murders on stage review: A killer debut for the classic crime drama
DCI Barnaby is back on the case in this thrilling stage production.
28 years after it first launched on our TV screens, Midsomer Murders makes a thrilling stage debut. Retaining all the heart of the beloved TV show, writer and director Guy Unsworth welcomes you to the county of Midsomer with a brand-new look at the episode and book that started it all: The Killings at Badger’s Drift. The play takes place when well-loved spinster Emily Simpson is found dead and her friend Lucy Bellringer refuses to accept it was an accident. DCI Tom Barnaby and Sergeant Gavin Troy are called in to investigate, uncovering a world of hidden passions, long-buried secrets and deadly rivalries. Leading the cast is Daniel Casey, the original DS Gavin Troy, who has been promoted to DCI Tom Barnaby. In an interview with Radiotimes.com, Casey admitted feeling a little “daunted” and “a little bit trepidatious” about the role, but he takes on the mantel left by John Nettles with ease. Casey brings a quiet authority and warmth in the part that helps to ground the play. He’s the calming presence in the manicured wilderness of Midsomer, giving the audience a steady guide throughout. Surrounding him is an assortment of eclectic characters, all expertly played by a handful of supporting cast; most of whom are playing two or three roles. It was quite a surprise to realise how few actors there were when the show ended. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/10/Daniel-Casey-Barnaby-James-Bradwell-Troy-Rupert-Sadler-Dennis-Rainbird-in-The-Killings-at-Badgers-Drift-Manuel-Harlan-062a01f.jpg" width="5000" height="3333" alt="Daniel Casey (Barnaby), James Bradwell (Troy) & Rupert Sadler (Dennis Rainbird) in The Killings at Badger's Drift, ©Manuel Harlan" title="Daniel Casey (Barnaby), James Bradwell (Troy) & Rupert Sadler (Dennis Rainbird) in The Killings at Badger's Drift, ©Manuel Harlan" /> Barnaby’s protégé, DS Troy, is now played by James Bradwell; delivering the same bad-driving and conclusion jumping fans of the show would be expecting. While the play is scattered with funny moments, Bradwell shows up for a lot of them; whether he’s the butt of the joke or simply being an over-eager detective, he offers up that touch of lightness the show is known for. Casey told us in the run up that “if you’re a fan of the television series, you’re going to love the play”. As one of those said fans, it truly felt like I was watching an episode in action. The staging rolls between cottages to manors to murder scenes in seconds. It creates the feeling of escapism the TV show is known for. Accompanying this is a familiar score that brings tension and warmth throughout each scene, underscoring the mystery, the brutality and the quintessential English charm that its famous for. More than anything, Midsomer Murders delivers exactly what theatre goers could hope for: a sharp, thoroughly entertaining whodunnit. It’s two hours of intrigue and charm that keeps you guessing until the very end. Just don’t be too confident you’ll solve it before DCI Barnaby. Buy Midsomer Murders tickets at ATG Tickets When can I see Midsomer Murders on UK tour? 15 dates and venues have been announced so far for the Midsomer Murders UK tour: 24th Oct – 1st Nov 2025 – London, Richmond 4th – 8th Nov 2025 – Malvern, Festival Theatre 11th – 15th Nov 2025 – Chester, Storyhouse 18th – 22nd Nov 2025 – Eastbourne, Devonshire Park Theatre 25th – 29th Nov 2025 – Sheffield, Lyceum 20th – 24th Jan 2026 – Truro, Hall for Cornwall 27th – 31st Jan 2026 – Guildford, The Yvonne Arnaud Theatre 3rd – 7th Feb 2026 – Brighton, Theatre Royal 10th – 14th Feb 2026 – Blackpool, Grand 17th – 21st Feb 2026 – Glasgow, Theatre Royal 24th – 28th Feb 2026 – Nottingham, Theatre Royal 10th – 14th Mar 2026 – Birmingham, The Alexandra 17th – 21st Mar 2026 – Norwich, Theatre Royal 24th – 28th Mar 2026 – Derby, Derby Theatre 14th – 18th Apr 2026 – Leicester, The Curve 21st – 25th Apr 2026 – Cambridge, The Arts Theatre 29th Apr – 2nd May 2026 – Oxford, New Theatre 12th – 16th May 2026 – Bromley, Churchill Theatre 19th – 23rd May 2026 – Darlington, Hippodrome 27th – 30th May 2026 – Manchester, Opera House 2nd – 6th Jun 2026 – Dublin, Gaiety Theatre How to get Midsomer Murders UK tour tickets Tickets for several of the shows are available on ATG Tickets. Buy Midsomer Murders tickets at ATG Tickets Make sure you read our chat with Tom Fletcher on the Paddington Musical and how to watch the New Year's Eve Fireworks in London.
Is The Traitors Live Experience worth it? How to get tickets to this faithful recreation of the BBC series
Despite being the best reality TV show for decades, can anyone really explain what makes The Traitors so good? From the Agatha Christie-style sneaking around, to the unhinged reactions that would sit comfortably in any Carry On film, to the ruthless moments of genuine psychological warfare, the show just has it. Well, whatever it is, they've bottled it, and transported it to London for the Traitors Live Experience, a 100% faithful recreation of the BBC series now open in Covent Garden. Whether you're a die-hard Diane fan or more of a casual viewer for when the January blues hit, the experience is a perfect match, down to the dramatic pop covers and dead-pan attitude of its tweed-clad host. Two members of the RadioTimes.com team were invited to try the experience and I, dear reader, was selected as a Traitor – so you can trust me when I say the tension on the show is real. The experience takes place in groups of 10 to 14 and allows players to compete in a range of mini-games in order to earn "money" and gain a higher spot on the overall league table. The challenges range from memory tasks to treasure hunts and present the players with a special chance to earn shields that grant immunity from murder. Although simple and mainly isolated to the one room, these tasks were fun and accessible for everyone and still managed to pose a challenge, especially when it came to working with people you'd only just met. As in the show however, all this paled in comparison to the dreaded round table, where as a team you must accuse and ultimately banish a fellow player. As a Traitor, I can say it was genuinely uncomfortable trying to come up with reasons to banish people I knew, for a fact, were Faithful, all the while attempting to stay under the radar as the group diminished. Although there is definitely nowhere near as much drama and animosity as on TV, the stress of discussion and voting is palpable, very much helped by the suspenseful tones of our host. After banishment, it is of course, time to murder, but I won't spoil how that works – best you experience those moments of dread for yourself. The design of the experience is just as bang on, with the grandiose Scottish castle perfectly encapsulated in our little room. The lighting and music also do wonders for the atmosphere and, if you get far enough in the game, you might get to take a short trip to the legendary Traitors tower. Just to clear things up too, when you die or get banished you leave the room but not the game. Afterwards you're taken into another room where you can continue to watch the players and still participate in challenges. Overall, this is a perfectly stylised, gripping and fun experience, as enjoyable as it is suspenseful, and one that leaves you with a lot more understanding for why the show's actual players act the way we do. And for my part, I'd say I was definitely more of a Mina than a Linda, but didn't quite reach the levels of deception and mastery as Charlotte did. Now it's time to see how you get on. Buy The Traitors Live Experience tickets at Ticketmaster Buy The Traitors Live Experience for two at BuyaGift View Affiliate Playlist on the source website How does The Traitors Live Experience work? The Traitors Live Experience runs very similarly to the TV series. You play in groups of 10-14 – which can be either one group or a collection of smaller groups put together – and get taken to a room with the round table. You'll stay within the room for the majority of the experience, completing mini games that involve searching for clues, remembering images, answering riddles and more. Throughout the challenges you're trying to earn "money" which will go towards your group's final score on the leader board at the end – however you can also use that time to win shields. After challenges you sit at the round table and, in an exact copy of the series, discuss who you think is a Traitor in your midst. One by one you'll name the player you wish to banish, who must reveal their status as Traitor or Faithful. Once banishment is over, it's another night where the Traitors must decide who to murder – there is never an option to recruit. Fear not, anyone who is murdered or banished is taken to a room to watch the rest of the experience and can still participate in a series of challenges where the players must "commune with the dead". At the end, if only Faithfuls remain, the total money you've won goes on the leader board, but – if there's a Traitor amongst you – the money is wiped away. Where is The Traitors Live Experience? The Experience can be found in 60 Short's Gardens, Covent Garden. It's only a short walk from Covent Garden station so you can either head there on the Piccadilly Line or get the Central, Northern or Elizabeth Line to Tottenham Court Road and walk five minutes from there. It's easy to spot thanks to the huge red and orange logo on the side of the building and the venue is also accessible for wheelchair users. How long does The Traitors Live Experience last? The experience itself lasts roughly two hours with no break once you get started. However, I'd recommend building in at least three to four hours for the whole thing as there's a bit of time at the start where you check in and wait to be called in your group – make sure you use this time to go to the toilet because you won't want to miss anything once you go in. Plus, you'll definitely want time afterwards to grab a drink with your team and go over all the scandalous details! What age is The Traitors Live Experience for? The Traitors Live Experience is for 18+ only, however they do also have specific family runs for anyone aged 12+. You can find these by selecting the "Family Friendly" filter on the official website. How much are The Traitors Live Experience tickets? There are three tiers of ticket prices depending on how early you book the experience. If you book an Early Bird ticket you're paying £29.50 for an off-peak time (weekdays and school term times) and £34.50 for the peak periods. The standard tickets then cost £34.50 for off-peak and £39.50 for peak, followed by the last few for £42.50 and £47.50 respectively. You can also hire out Private Tables for your own groups of 10-14, which start from £65 per person. How to buy The Traitors Live Experience tickets Tickets are available on Ticketmaster, which will then take you through to the official Traitors website, or you can buy the experience as a gift for two on Buyagift or Red Letter Days – this would be a solid Christmas present. Buy The Traitors Live Experience tickets at Ticketmaster Buy The Traitors Live Experience for two at BuyaGift Make sure you also take a look at more immersive TV experiences and pre-theatre dinner menus in London. Check out more of our Entertainment coverage or visit our TV Guide and Streaming Guide to find out what else is on. For more TV recommendations and reviews, listen to The Radio Times Podcast. Make sure you read our chat with Tom Fletcher on the Paddington Musical and how to watch the New Year's Eve Fireworks in London.
Punch review: James Graham's play is a marvel on London's West End
This remarkable true story is a testament to the power of restorative justice, and it features one of our favourite young actors at the moment, Alec Boaden.
4 stars Growing up in Nottingham, the story of Jacob Dunne – the man who fatally punched another man unprovoked – is one I already knew. Friends at a nearby school learnt about it in assembly, but the rest of us knew about it like some kind of urban legend, except it was true. Punch, which premiered at the Nottingham Playhouse before transferring to the Young Vic, then to the Apollo Theatre in the West End, recounts the events which led to Dunne fatally punching paramedic James Hodgkinson and the redemption which followed. The play is based on Dunne's book, Right from Wrong, and it's been brought to life for the stay by Nottingham's own James Graham (Dear England, Boys from the Blackstuff, Best of Enemies), who proves time and time again why he deserves his flowers as one of Britain's great modern playwrights. A lot happens in Graham's Punch, but the play is immaculately paced, and no moment feels rushed. David Shields takes on the role of protagonist Dunne, and the audience meets him as he cuts about from Yates's to Thirland to Bluebell to Slab Square, talks of rivalries with neighbouring districts St Ann's and Radford, and visits mates in Meadows and Holgate. We quickly learn that Dunne is a character who lives for the weekend, partying and petty fights, like many young lads, but it takes just one blow for Dunne's life as he knows it to come crashing down. Winner of the Best Performance in a Play award at the 2025 UK Theatre Awards, Shields is remarkable as Dunne; the actor explores Dunne's self-protection which manifests itself as anger and cockiness – a much-needed coping mechanism if you're growing up in the Meadows. When Dunne meets Hodgkinson's parents, Shields expertly navigates his character's feelings of guilt and grief, all while coming to terms with the accidental nature of the punch. The relationship that forms between Dunne and Hodgkinson's parents is the most pivotal part of the play, and you can hardly believe it's based on a real-life relationship. Julie Hesmondhalgh (Coronation Street) and Tony Hirst (Hollyoaks) play James’s bereaved parents, Joan and David, who meet their son's killer through restorative justice charity Remedi. Punch is nuanced in how it explores the parents' pain, as well as their will to help Dunne turn his life around, so that two lives haven't been lost to the attack. We learn that Joan stayed by her son's side until he died, but by which point, his death had become a murder investigation, and she's ushered away for questioning rather than being able to join the rest of her family. The play is also a story about 'what ifs', Hesmondhalgh asks what would've happened if Hodgkinson wasn't treated like another Saturday-night-out drunk and told to 'sleep off' his injuries, and what if Dunne wasn't failed by the institutions designed to help him? As Dunne's probation officer points out in the play, people are so obsessed with fixing potholes but they're less interested in helping people. Besides Shields, the cast in Punch play multiple roles, and one of the standout actors for me was Alec Boaden who plays Raf, Dunne's brother, among other roles. Earlier in the year, I'd seen Boaden play the role of Jude in Regent's Park Open Air Theatre's adaptation of Noughts & Crosses, and I'm looking forward to seeing what else the young actor features in. This remarkable story of the power of restorative justice is performing for a limited time only, and we'd urge everyone to see it. Buy Punch tickets from £23 at TodayTix Where and when can I see James Graham's Punch? Punch has transferred to the West End's Apollo Theatre for a strictly limited time only, until Saturday 29th November. Punch has had two sold-out runs at the Nottingham Playhouse and Young Vic, so while ticket availability is good at the moment, this might change. Buy Punch tickets from £23 at TodayTix How to get Punch tickets at Apollo Theatre Tickets for Punch are available right now at TodayTix, and at the time of writing (Monday 29th September), tickets cost from £23. Buy Punch tickets from £23 at TodayTix For more of the latest reviews, take a look at our Born With Teeth review and five star The Producers review, and for the latest ticketing releases, check out how to get Doja Cat tickets.
Clarkston review: Joe Locke's journey to the West End has been long-deserved
Joe Locke and Ruaridh Mollica are enchanting in this soulful exploration of young adulthood.
Joe Locke’s West End debut is a soulful look into the lives of two starry-eyed young men which wends its way between utterly charming and horribly sobering like the real-life river it’s set on. Taking place in the small-town streets of the American West – which all good TV tells us is a claustrophobic place – this play ups the ante by restricting its scenes to just a Costco warehouse and its parking lot (ahem, car park). Just a stones throw away is the Snake River, which famed US travellers Lewis and Clark perilously journeyed in the early 19th century, Clarkston focuses on ebbs and flows of a young relationship between Jake (Locke) and Chris (Ruaridh Mollica). While Jake is grappling with the existential fallout of a life-altering diagnosis, Chris struggles with the pressures of being closeted and living low-contact from his meth-addicted mother (Sophie Melville). Together, the pair wade through deep emotional waters, rapidly covering themes of addiction, disability, class, and of course, how on earth you find any sort of meaning in your 20s. Samuel D Hunter’s script does the fine job of packing in wave after wave of poignancy while also managing to feel like a slow burn. It’s also worth noting how many genuine laughs you’ll have in between the heavier moments. All three leads are simply excellent. After Heartstopper and Agatha All Along we know Joe Locke can embody the complex teen searching for solace, but this character comes with an extra layer of discomfort as we see ease and entitlement meet the harsh realities of terminal illness. Meanwhile, Sophie Melville does a magnificent job of juggling with your feelings, appearing callously manipulative and yet completely sympathetic at the same time – in short, a balanced, very human portrayal of what addiction can do. For me however, Mollica's Chris was the absolute standout. Both hardened by his past and yet still extremely vulnerable to it, his traumas and quiet determination viscerally poured off the stage leaving you quite breathless at points. At the moment all the tensions of Chris’s life reach a crescendo, the show employs a clever yellow light technique that makes everything under it appear in black and white –literally sapping the colour out of his existence. It’s heart-breaking and neatly ironic as, while the setting is thrown into sharp black and white, the feelings and situation are anything but. Buy Clarkston tickets at LOVETheatre When and where can I see Joe Locke in Clarkston? Clarkston will run until 22nd November 2025 at the Trafalgar Theatre. To get to the Trafalgar Theatre, your best bet would be to head to Charing Cross on the Bakerloo or Northern lines, or by Southeastern Rail. How to get Clarkston tickets to see Joe Locke live Tickets went on sale in July, with good availability left. You can buy your seat via LOVETheatre or the brand new RadioTimes Theatre Pass. Buy Clarkston tickets at LOVETheatre Here's our roundup of the best West End shows and the West End's biggest names.
50 First Dates: The Musical review – Could this be the most charming musical yet?
Lucy and Henry's love story is now centre stage, literally!
Adam Sandler and Drew Barrymore's 50 First Dates, to some, is one the greatest romantic comedies in recent years – and I'm inclined to agree. So it was a no-brainer to hurry to The Other Palace to watch it come to life in a musical, with Georgina Castle (Mean Girls) and Josh St Clair (Ghost) at the helm as Lucy Whitmore and Henry Roth. Fans of the original movie will be pleasantly surprised that the essence of the story between Lucy, an artist with short-term memory loss and Henry, the commitment phobe who falls in love with her, remains the same, albeit with some slight tweaks to Henry's job. I'll admit, I was hesitant at first when Henry wasn't introduced as a marine veterinarian and, rather, a travel vlogger who found himself in Key Largo in Florida before he jets off on a European adventure of a lifetime, which soon comes to a halt when he meets Lucy. But it works. The songs, penned by David Rossmer and Steve Rosen, are just as wholesome and charming as the love story presented to us, with even the most sceptical of audience members (like myself) are soon won over. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/09/The-Cast-of-50-First-Dates-The-Musical-Production-Images-Photo-credit-by-Pamela-Raith-091-d2bc243.jpg" width="3500" height="2384" alt="The Cast of 50 First Dates The Musical all stood and sat around the stage in summer clothing." title="The Cast of 50 First Dates The Musical (Production Images) - Photo credit by Pamela Raith - 091" /> The chemistry between Castle and St Clair is palpable, with the pair's characters falling in love after just one day checking off Lucy's list and having seemingly the perfect day. Their reputations precede them, having starred in the likes of Mamma Mia! and and Kinky Boots, respectively. With their romance told through songs such as They're Not You and Good Morning, Lucy, you find yourself rooting for a pair you've only been introduced to just 30 minutes prior. Like every musicals on and off the West End, the ensemble is core to any show, and 50 First Dates is no different. From the absolute power ballad that is Key Largo, led beautifully by Chad Saint Louis (Spring Awakening), to Aiesha Naomi Pease's performance of pretty much anything, her voice is complete euphoria. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/09/Ricky-Rojas-and-Aiesha-Naomi-Pease-50-First-Dates-The-Musical-Production-Images-Photo-credit-by-Pamela-Raith-161-3a99035.jpg" width="3500" height="2516" alt="Ricky Rojas and Aiesha Naomi Pease stood beside one another looking confused." title="Ricky Rojas and Aiesha Naomi Pease - 50 First Dates The Musical (Production Images) - Photo credit by Pamela Raith - 161" /> One part of the musical, just as in the film, that makes this an incredibly heartwarming outing is the love that the residents of Key Largo, her family and eventually Henry have for Lucy. Perfectly weaved throughout the musical is the love each and every character has for one another, whether it be romantic or platonic, or sometimes misconstrued when it comes to Henry's manager, Delilah, played hilariously by Natasha O'Brien (Mamma Mia!). The Other Palace makes the perfect location for 50 First Dates, with the staging and projections adding to the warm and cosy feeling the story omits. It can be difficult to hit the mark with a movie adaptation for stage, but its creation has been a long and loving road for its creators, who all speak so highly of the work they have created. "50 First Dates is so much more than a romantic comedy," said Rosen. "While it is wonderful to watch Henry and Lucy fall in love, there is something so much deeper play." Rosen noted that the story is about "community and about the lengths people will go to in order to level the playing field for people they love who have been dealt an unfair situation", and 50 First Dates: The Musical has certainly succeeded in telling that story. If you're after charm, wittiness and charisma, 50 First Dates could just be the musical for you. 50 First Dates: The Musical is at The Other Palace until Sunday 16th November. Make sure you also check out the best West End shows and our review of Evita. Also, here's how to get cheap Cadbury World tickets.
The Producers review: Mel Brooks's musical is the most fun I've had at the West End
Mel Brooks's musical The Producers has travelled from Broadway to the West End to make your cheeks and stomachs ache with laughter.
I'll be the first to admit, I didn't know too much about The Producers before going into the theatre show. Like The Wizard of Oz and The Lion King, it was a movie that just passed me by. I was aware it involved a play about Nazis (The Producers that is, not The Lion King) and it was, of course, directed by American filmmaker Mel Brooks. But that was about it. So, how did I find myself awarding five stars to a gay romp dedicated to Hitler? Brooks directed The Producers in 1967 using a script he wrote himself. This movie was a cult hit for 24 years until Brooks reshaped it as a musical theatre number. Now, the filmmaker and actor is no stranger to leaving a legacy, namely, single-handedly inventing the movie spoof genre with 1974's Blazing Saddles and pioneering TV sketch writing with Your Show of Shows starring Sid Caesar, and that's exactly what has happened with The Producers. The musical was reimagined for the New York stage in 2001, and it took home 12 awards at that year's Tony Awards. Now, 58 years on, The Producers is performing at Garrick Theatre in London's West End, having been at the Menier Chocolate Factory in 2024. Director Patrick Marber's The Producers is a camp, outrageous and, above all, fun; as with a lot of political satires, the play's stereotypes and cultural indicators are wildly exaggerated. The Producers follows a "delicious" scheme set up by two – you guessed it — theatre producers, the devious Max Bialystock (played by Andy Nyman) and the wide-eyed ex-accountant Leopold Bloom (played by Marc Antolin), who would love nothing more than to be a real-life Broadway producer. The scheme is devised after Bloom lets it slip that it's more profitable to create a Broadway flop than a Broadway success, and the two producers set out to create the biggest flop of them all... And what could be a bigger failure than the musical Springtime for Hitler, written by Nazi sympathiser Franz Liebkind (played by Harry Morrison)? Springtime for Hitler: A Gay Romp With Adolf and Eva at Berchtesgaden is a riot; from the second Ulla (played by Joanna Woodward) shouts "he's coming!" and Trevor Ashley as Hitler enters the stage dressed in a gold, glittery gown riding a chariot, I was in stitches. The choreography — created by choreographer Lorin Latarro — is brilliant, from the ensemble dancing as nazi pigeons (yes, really) and the old ladies Bialystock has sex with to secure funding for his next play (again, yes, really) to glittery sausages in Springtime for Hitler and showgirls in one of Bloom's fantasies, it really gives the impression of a much larger cast. However, our stand-out of The Producers is Nyman as Bialystock. The multi-award winning actor garnered enthusiastic applause after every song, and I was completely entranced by Nyman as the mischievous producer, and on his side, too! Whether you're nostalgic for The Producers movie or you're looking for a fun-filled night at the theatre, Mel Brooks's The Producers at the Garrick Theatre won't disappoint. Buy The Producers tickets from £25 at LOVEtheatre Where can I see Mel Brooks's The Producers? Following a sold-out run at Menier Chocolate Factory, The Producers has transferred to the Garrick Theatre in the West End. The Producers is currently booking until Saturday 21st February. Buy The Producers tickets from £25 at LOVEtheatre How to get The Producers tickets at the Garrick Theatre Tickets for The Producers are available right now at LOVEtheatre, and at the time of writing (Tuesday 16th September), seats cost from just £25, so if you're keen to see The Producers, we recommend snapping up tickets as soon as you're able to. Buy The Producers tickets from £25 at LOVEtheatre For more theatre reviews of the latest shows, take a look at our Born With Teeth review, Every Brilliant Thing review, Punch review, and Good Night, Oscar review. Plus, be sure to read our best West End shows guide.
Born With Teeth review: Ncuti Gatwa takes a lightning bolt to Tudor history
Ncuti Gatwa is back on stage with the Shakespearean-esque drama Born With Teeth.
Shakespearean tradition gets an electrifying awakening in the West End's Born With Teeth, now showing for a limited run at Wyndham's Theatre. Starring Doctor Who's own Ncuti Gatwa and Edward Bluemel – best known for the Amazon Prime series My Lady Jane – this pseudo-Renaissance drama flips the lid on a much mythologised period of history to reveal something far darker lurking beneath. Liz Duffy's two-man show banishes the sanitised and idolised versions of Tudor history, opting instead for a world of sex, scandal and spying; a world where art and politics are just as dangerously wrapped around each other as they are today. Gatwa plays Christopher "Kit" Marlowe, the playwright behind texts you may remember from GSCE like Dr Faustus and Tamburlaine, while Bluemel plays Will Shakespeare. The pair are called up to work together on Henry VI and become distracted by their own intense battle of rivalry and flirtation. As you can expect, Gatwa is excellent as Marlowe. The former Time Lord prowls the stage like a caged tiger, teasing, toying and threatening Will with his real-life connections to Queen Elizabeth's spy network. His dangerous magnetism is like a tangible force on stage, and yet comes with a noticeable undercurrent of frustration, as we all know it is Shakespeare, and not Marlowe, who stood the test of time. Meanwhile, Bluemel is just as strong, appearing the timid tabby cat at times who simply wants to write and protect his little world. His light and shade comes out in more subtle hues than Marlowe's bold strokes, but both compliment each other perfectly. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/08/Edward-Bleumel-and-Ncuti-Gatwa-Born-With-Teeth-photo-by-Johan-Persson-04944c1.jpg" width="5420" height="3613" alt="Born With Teeth at Wyndham’s Theatre in 2025: writer – Liz Duffy Adams, director – Daniel Evans, set & costume design – Joanna Scotcher, lighting design – Neil Austin, casting director – Charlotte Sutton,, Credit Johan Persson" title="Born With Teeth" /> Their chemistry is solid, but sometimes too much of an emphasis was placed on the laughs and comedic moments instead of the big swings of passion or violence. This meant some of the tenser moments fell a little flat as they were so quickly undercut by quips. This occasional hollowness was also not helped by the lack of music and set design. The action was set in front a wall of bright stage lights with just a few chairs and period-ish tables in the middle to set the scene. While I can see the benefit of combining historical scenery with a modern minimalist background – almost to lift the piece out of time – the atmosphere felt thin and incomplete. However, for fans of Tudor history, Shakespeare or enemies-to-lovers plots, I fail to see how Born With Teeth would disappoint. It brings a much-needed flash of colour and newness to a time many would consider stodgy and wilted, and ultimately reminding us that Renaissance London was in fact, a very dangerous place to be. Theatre fans should also check out our review of The Producers. Where can I see Ncuti Gatwa in Born With Teeth? You can catch Born With Teeth at Wyndham's Theatre, right in the heart of London's West End. To get there, your best bet is heading to Leicester Square on the Northern or Piccadilly Lines. How to get Born With Teeth tickets Tickets are available on LOVE Theatre and London Theatre Direct starting from £27. Buy Born With Teeth tickets at LOVETheatre Buy Born With Teeth tickets at London Theatre Direct For more things to do in the UK capital, check out the best West End shows and the best immersive experiences in London and how to get Florence and the Machine tickets. Plus, here's how to get The Weeknd 2026 UK tour tickets, Pitbull UK tour tickets and the best Downton Abbey tours UK.
Every Brilliant Thing review: Lenny Henry brings laughs and lows
Every Brilliant Thing is now showing at @sohoplace with a rotating cast of stars.
This article includes discussion of suicide and suicidal ideation that some readers may find upsetting. Lenny Henry’s turn in Every Brilliant Thing offers an intriguing juxtaposition: a professional comedian taking on a story deeply rooted in sadness, depression and suicide. It demonstrates how, although we might smile outwardly, we can feel very differently within. The play follows Henry’s character from the age of seven, as he begins a list of "every brilliant thing" to help himself and his mother, who struggles with severe depression. The list starts playfully – with “ice cream” at age seven – and eventually numbers a million as the years go by. What initially works in this production’s favour is the sense of accessibility Henry brings as a performer. His warmth and comic instincts highlight the play’s core message: that happiness is often only surface-deep, and those who appear the lightest may be concealing profound pain. It’s a necessary reminder, especially given the subject matter. However, Every Brilliant Thing stands or falls on the nature of its audience participation. At several points, randomly selected theatregoers read items from the list aloud, or are drawn into small cameo roles (teachers, loved ones, vets). This gives each performance a unique quality: some audiences gel, while others are left scrambling for cues. Not everyone is given a card, so the experience can feel arbitrary – exhilarating for some, for others, disruptive. While the play addresses the taboo of mental health and suicide, it does so in rather a superficial way. The core concept of listing life’s small joys raises the question: is this list a celebration or merely a coping mechanism? The answer, frustratingly, remains unclear. Moments that could carry emotional weight are sometimes rushed; for example, the list suddenly leaps into six digits, skipping years of character development. The passage from childhood to adulthood – from losing a pet to losing a parent – feels abrupt and a tad unconvincing. Tonally, the show swings between earnest vulnerability and laugh-out-loud moments, but not always successfully. At times, the easy laughter – often prompted by Henry cracking jokes or riffing with the audience – cuts across the piece’s emotional depth. Instead of reinforcing the character’s fragility, these moments risk trivialising it. The laughter sometimes comes at the expense of the story’s momentum and intimacy and his character is lost. For an 85-minute production, there’s a lot of applause and waiting for audience participation, which can dilute the emotional arc. This version feels more like “Lenny Henry presents” than an immersion into the character’s fraught interior life between the lack of direction and himself. Supporting roles from the audience, like Mrs Patterson the teacher with her sock-puppet Graham, offer sweetness, but the story never quite knits together. The lighting is basic and the production unadorned, which suits the text’s openness, but also contributes to a sense of a show that never entirely settle, much like our minds sometimes, I suppose. Every Brilliant Thing will affect each person differently, depending on their own relationship with the themes depicted. That’s part of its charm, but also its risk. Some will walk away touched, others perplexed. Much is glossed over, and the impact of suicide and the realities of mental illness remain largely undiscussed. The play hints at the difficulties beneath life’s cheerful details, but can feel disjointed and even shallow, never reaching the emotional resolve it promises. For a range of offers on theatre tickets, check out the Radio Times Theatre Pass. The Samaritans are available 24/7 if you need to talk. You can contact them for free by calling 116 123, email jo@samaritans.org or head to the website to find your nearest branch. When and where can I see Every Brilliant Thing? Every Brilliant Thing is a play running at @sohoplace in London until 8th November 2025 and features a rotating cast of performers: Lenny Henry Jonny Donahoe (Original Co-Creator) Ambika Mod Sue Perkins Minnie Driver Buy Every Brilliant Thing tickets at London Theatre Direct Make sure you also check out our guide of the best West End shows and best pre-theatre dinner menus.
Grease: The Immersive Movie Musical review – Rydell High is open for business
We're hopelessly devoted to this new immersive experience.
School may be out for summer, but Rydell High has opened its doors for six weeks. Get on your dancing shoes, put on your leather jackets, spray obscene amounts of hair spray; you’re all set for Grease: The Immersive Movie Musical. To start, I'll be honest, I’m actually not the biggest fan of Grease. While a fun and momentous musical, the last I watched it was years ago, and the songs don’t make any of my current playlists. But that didn't stop me from having a brilliant time. Directed by Matthew Costain with set design by Tom Rogers, the entire production is movie magic come to life. As soon as you show your tickets, you’re welcomed to your first day of school, with cast members ready and waiting to mingle. It’s not hard to forget you’re in Battersea Park. Surrounded by cast (and other attendees) all dressed in costume, a '50s playlist in the background setting the scene – there is an undeniable buzz about the whole experience. Before the show officially starts, you can hang out in the fairground and can buy tokens to go on the rides. Perhaps tactically, I chose the Ferris wheel to get a nice bird's-eye view of the grounds. The production value of the event then becomes abundantly clear when you enter the school. With key sets from the entire musical ready, attendees are encouraged to explore while the musical plays out with the cast expertly performing them live. The Frosty Palace where you can grab a shake, the auto-shop with all the grease you’re expecting, and the school bleachers to hang out. At the heart of it all is the school gym, a central place where more than just the cast can interact throughout the show. The joy of this is that you, as the guest, can go where you want to, although some seating areas are reserved according to ticket tiers, and occasionally you’ll need to make room for cast members preparing for the next performance. But if you can’t jive when you arrive, trust me – you’ll be dancing just a few hours later. Grease: The Immersive Movie Musical ends 6th September. I, for one, am eagerly anticipating whatever the next immersive experience is put on. How to get Grease: The Immersive Movie Musical tickets Grease: The Immersive Movie Musical is running until 6th September at the Evolution London in Battersea Park. You can easily get to the site via Chelsea Bridge Gate. The closest Underground stations are Battersea Power Station, Battersea Park, Sloane Square and Victoria. Tickets can be purchased on TodayTix. Buy Grease: The Immersive Movie Musical tickets Make sure you also check out our guide of the best West End shows and best pre-theatre dinner menus.
Good Night, Oscar review: Will & Grace's Sean Hayes is master and maestro in this heartbreaking comedy
Sean Hayes stars in a strictly-limited run at The Barbican this summer.
Nothing can prepare you for a viewing of Good Night, Oscar. No knowledge of Will & Grace, late-night talk shows, jazz – or in my case, none of the above – will ready you for this hurtling journey through the life and mind of American musician Oscar Levant. Sean Hayes and Doug Wright's play ended its Broadway run with near saintly status, scooping up three Tony Awards in the process, but there was certainly a question mark over how its US-centric themes would translate for British audiences. The answer is simple: go see it. I find it hard to believe anyone could leave their seat having not identified with something from this startling whirlwind of a story. The show transports you back to 1958 on the night pianist and comedian Oscar Levant escapes a mental health facility to appear on the famous sofa of talk show host Jack Paar. While Paar wants Levant for his musical talents and ability for shocking one-liners, Levant will do nearly anything to avoid playing the piano – in particular, the pieces of his musical idol Gershwin. Across the show, we see Levant struggle under the weight of mental illness and addiction, all the while grappling with a near life-long feeling of being second best to the music that inspired him. But, trust me on this, it's also real funny. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/08/Ben-Rappaport-Jack-Parr-Sean-Hayes-Oscar-Levant.-Credit-Johan-Persson-cedae6f.jpg" width="5795" height="3863" alt="Good Night, Oscar at the Barbican: Writer – Doug Wright, Director – Lisa Peterson, Set Designer – Rachel Hauck, Costume Designer – Emilio Sosa, Co‑Lighting Designers – Ben Stanton & Carolina Ortiz, Sound Designer – André Pluess, Original WHAM Designer – J. Jared Janas, US Music Supervisor & Arranger – Chris Fenwick, UK Associate Director – Denzel Westley‑Sanderson, US Associate Set Designer – Mike Kaukl, UK Associate Costume Designer / Supervisor – Sabrina Cuniberto, UK Associate Lighting Designer – Rob Casey, UK Associate Sound Designer – Gareth Tucker, UK Associate WHAM Designer / Supervisor – Sam Cox, Props Supervisor – Marcus Hall," title="Good Night, Oscar" /> Much like the orchestra Levant imagines, this show is layered and comes out in full force. Its themes run one after the other, from misogyny to TV censorship to mental illness, building up to a crescendo that encompasses everything from the exploitation of public figures to the uncredited influence of Black culture in music. Yet, while so many shows find themselves muddled by the noise of competing topics and in-your-face messaging, Good Night Oscar's string together in one note-perfect symphony. Throughout the performance, you find yourself agreeing with everyone and no-one as each argument is laid down in front of you with light-handed empathy. Turns out, throwing everything dart at the board can work when you hit the bullseye every time, the credit for which must be shared between Doug Wright's deftly written script and the unbelievable mettle of the cast. Of course, Sean Hayes is a virtuoso in every sense. His embodiment of Levant sees a complete transformation of face, limbs and voice. In a previous interview with RadioTimes.com, co-star Rosalie Craig said Hayes was repeatedly told he should play Oscar Levant, and yet I found it hard to see anything of the Will & Grace star in this jittery, sharp-tongued genius who fires off one liners at the speed of light. By far the highlight was Hayes's... let's say "politically incorrect" interview with Jack Parr (played by Ben Rappaport), which elicited more barks of laughter and nervous giggles from the audience than an off-beat comedian's Netflix special. Rappaport's slick performance of Paar was also key to this as he gleefully eggs Levant on, poking at topics like a naughty child with a beehive. Praise is also due to Rosalie Craig for her energised performance of Levant's wife June and Daniel Adeosun's role as the stalwart orderly Alvin. But for me, the surprising highlight came in the form of David Burnett as Gershwin, who could have easily fallen into the trap of appearing as 'arrogant genius celebrity number one,' but instead ends up just as tragic a figure as Levant himself. It is their final scene together where Hayes gives the musical performance of a lifetime, pouring every bit of feeling into his playing of Rhapsody in Blue, which I would urge all non-classical music fans (like myself) to watch, and simply breathe in. It's funny how you can enter that theatre knowing nothing of Levant, nor the culture he lived in, but by the end of it feel like you've absorbed every inch of him. Good Night, Oscar is only running at The Barbican until September, so make sure you see it before the music stops. For a range of offers on theatre tickets, check out the Radio Times Theatre Pass. When and where is Good Night, Oscar performing in London? <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/08/Sean-Hayes-Oscar-Levant-David-Burnett-George-Gershwin.-Credit-Johan-Persson-fcd5e66.jpg" width="6000" height="4000" alt="Good Night, Oscar at the Barbican: Writer – Doug Wright, Director – Lisa Peterson, Set Designer – Rachel Hauck, Costume Designer – Emilio Sosa, Co‑Lighting Designers – Ben Stanton & Carolina Ortiz, Sound Designer – André Pluess, Original WHAM Designer – J. Jared Janas, US Music Supervisor & Arranger – Chris Fenwick, UK Associate Director – Denzel Westley‑Sanderson, US Associate Set Designer – Mike Kaukl, UK Associate Costume Designer / Supervisor – Sabrina Cuniberto, UK Associate Lighting Designer – Rob Casey, UK Associate Sound Designer – Gareth Tucker, UK Associate WHAM Designer / Supervisor – Sam Cox, Props Supervisor – Marcus Hall," title="Good Night, Oscar" /> Good Night, Oscar is running for a strictly limited run, from until 21st September 2025. The play will be performed at the Barbican Theatre, which you can find in central London at the following address: Silk Street, London, EC2Y 8DS. How to get Good Night, Oscar London tickets today Tickets are on sale at LOVETheatre and TodayTix, with prices starting from £23. Buy Good Night, Oscar tickets from £24 at LOVETheatre Buy Good Night, Oscar tickets from £23 at TodayTix Make sure you also check out our guide of the best West End shows and best pre-theatre dinner menus.
Noughts & Crosses review: Heartstopper's Corinna Brown stars in Malorie Blackman stage adaptation
Dominic Cooke has adapted Malorie Blackman's best-selling YA novel for the Regent's Park Open Air Theatre stage.
3 stars Like a lot teenagers in the UK, I read Malorie Blackman's 2001 YA novel, Noughts & Crosses, in school. Blackman's book imagines an alternative world where Black people (Crosses) are privileged in terms of wealth and power, and discriminate against White people (Noughts). Noughts & Crosses highlights the prejudice Black people have been subjected to for generations, and Blackman has said Callum (our male lead and a Nought) had to cope with certain events which were lifted directly from her own childhood and teenage years, such as "enduring his history lesson, or being challenged for being in a first-class carriage on a train". In the Noughts & Crosses world, segregation, state-sanctioned intimidation, unfair trials — with the juries made up of all Crosses — and censorship on the news is the norm. 24 years on, Blackman's story of injustice feels poignant in the current climate. As Callum says in the play: "one person's terrorist is another person's freedom fighter", it begs the question of what lengths should a person go to to demand equality? With this said, bringing Noughts & Crosses to the stage is no small feat. Dominic Cooke's adaptation of the book was originally performed at the RSC in 2007, and now he's brought the production to Regent's Park Open Air Theatre in London. It was my first time at the open air theatre in Regent's Park, and the setting was magnificent. Albeit small, I loved that the audience experienced the sun setting and birds tweeting as the play runs. The backdrop of the park emphasises Colin Richmond’s brutalist set, which is made up of rusty towers, intimidating walkways and grey tiles, all of which aren't too dissimilar to a prison (or the bathroom in Saw I...). The staging has the affect of imposing danger. As we know, danger is exactly what's in store for our modern day Romeo and Juliet, Callum (played by Noah Valentine) and Sephy (played by Corinna Brown). Sephy is a Cross and her friendship with Callum (a Nought) is barely tolerated; Sephy is beaten up for sitting with Callum at lunch and Sephy is thrown-out of Callum's house when she pays her respects for the loss of Callum's sister, Lynette. Brown and Valentine are believable as friends to lovers, and I enjoyed watching their romance unfold on stage, as well as seeing the pair become more mature as they experienced hardship. However, it was these hard-hitting scenes that wore the production down. Cooke's Noughts & Crosses felt a bit too rushed and too condescended. While it stays faithful to Blackman's book, I felt it would've made sense for some scenes to be cut out, and some of the softer scenes (such as those between Callum and Sephy) to be drawn out. The production is incredibly heavy; every time we see Callum's mum Meggie (played by Kate Kordal) on stage, she's shouting or crying, whether that's her because her husband has been sentenced to life in prison, her daughter has died, her other son has gone missing, or Callum has been given the death penalty. The near-endless grittiness means that other storylines aren't fleshed out enough. For example, I would've loved to have learnt more about Sephy's mum Jasmine's (played by Amanda Bright) relationship with Callum's parents. That being said, the heaviness of Noughts & Crosses is there to covey important themes and messages, and this story is just as important in 2025 as it was in 2001. Buy Noughts & Crosses tickets from £33 at TodayTix For more of the best open air theatre shows, take a look at our guide. Where and when can I see Noughts & Crosses? Noughts & Crosses is at Regent's Park Open Air Theatre in London from now until 26th July 2025. Buy Noughts & Crosses tickets from £33 at TodayTix How to get Noughts & Crosses tickets Tickets for Noughts & Crosses are on sale right now at TodayTix, and tickets will set you back from £33. Buy Noughts & Crosses tickets from £33 at TodayTix For the latest ticketing releases, take a look at Lewis Capaldi tickets, Nicole Scherzinger tickets and Stereophonics tickets. Plus, how to get Bob Dylan UK tour tickets and Queens of the Stone Age tickets.
Till The Stars Come Down review: This state-of-the-nation play will leave you breathless with laughter and tears
Dorothy Atkinson shines in this pitch-perfect family tale.
Thanks in part to recent works like Paris Lees's What It Feels Like For a Girl to James Graham's Punch, the city of Nottingham is right at the front of cultural conversation. Now Beth Steel's latest play is shining a light on Notts once again. The play follows a family from Mansfield as they celebrate Sylvia's wedding day. Sylvia is marrying Marek, a Polish small business owner – but not everyone is happy about the number of Polish people living in the area. Over the course of the day, between drinking and dancing, the relationships between different family members are put to the test. Till The Stars Come Down first premiered at the National Theatre in 2024, where it enjoyed rave reviews. Now the production has transferred to Theatre Royal Haymarket in London's West End, where it's running until the end of September this year. Steel has been praised for her achingly real and relatable characters, and nowhere is it more obvious than in Till The Stars Come Down. Perhaps with the exception of the overly waxing lyrical John, each character feels like the sort of person you might find yourself sat next to at a family reunion— or a family wedding. These lovable down-to-earth characters yell over each other, squabble and immediately make up, and are full of weird aphorisms. Watching the family dynamics unfold will make the audience members feel at home, and I dare you not to see your mothers, aunts, or sisters reflected in the dazzling female cast members. Speaking of the cast members, there are strong performances across the board in this production. The chemistry between Sinéad Matthews (Sylvia) and Julian Kostov (Marek) is palpable, as is the suppressed sadness and grief in Alan Williams (Tony). <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/07/till-the-stars-come-down-cast-05f0576.jpg" width="4323" height="2882" alt="LONDON, ENGLAND - JULY 09:(L-R) Adrian Bower, Lucy Black, Alan Williams, Ruby Thompson, Sinead Matthews, Philip Whitchurch, Dorothy Atkinson, Aisling Loftus and Julian Kostov attend the press night after party for "Till The Stars Come Down" at The Haymarket Hotel on July 9, 2025 in London, England." title=""Till The Stars Come Down" Press Night - After Party" /> However, the clear standout of the show is Dorothy Atkinson as Aunt Carol. A whirlwind of a woman, she takes the stage by storm, spouting odd sayings and being determined to get her way (and sulking when she doesn't). She embodies the very spirit of the play— bawdy, outspoken and hilarious. A particular highlight is watching Atkinson perfect the art of drunk dancing as she writhes across the stage with some very inventive dance moves. All of these top-tier performances are aided by very clever and effective stage design, elevated in its simplicity. Crafting a family epic is no mean feat. Classic family sagas, like 100 Years of Solitude or Pachinko, take place over decades, sometimes even centuries, in order to unravel the complicated interpersonal dynamics. Till The Stars Come Down manages to do this over the course of a single day. Watching this production, it's hard to think of why more plays aren't set at family weddings. This is the perfect setting for long-simmering conflicts and heavy family secrets to come to the surface— aided, of course, by plenty of alcohol. Till The Stars Come Down touches on a wide range of issues – xenophobia, the miners' strike, climate anxiety – without feeling overwhelming. In today's world of playwrights and screenwriters that feel the need to overexplain, Beth Steel stands out in her refusal to talk down to the audience. Till The Stars Come Down is packed full of nuance, subtle gestures and loaded sentences that communicate the unsaid – just like real life. Buy Till The Stars Come Down tickets at LOVEtheatre Buy Till The Stars Come Down tickets at London Theatre Direct Want to learn more? We had an exclusive interview with the cast of Till The Stars Come Down. When and where can I see Till The Stars Come Down? Till The Stars Come Down is showing at Theatre Royal Haymarket for a strictly-limited 13-week run. The play will run from 1st July until 27th September 2025. Buy Till The Stars Come Down tickets at LOVEtheatre Buy Till The Stars Come Down tickets at London Theatre Direct How to get Till The Stars Come Down tickets Head to LOVEtheatre or London Theatre Direct, where there are still plenty of tickets available. Ticket prices start around £29.50 and will vary depending on where you sit and which performance you go to. Buy Till The Stars Come Down tickets at LOVEtheatre Buy Till The Stars Come Down tickets at London Theatre Direct If you're after more recommendations, check out our five-star reviews of Evita and Hercules.
Evita review: Jamie Lloyd and Rachel Zegler are making musical theatre history
This stellar production is the latest step in the unstoppable rise of both Jamie Lloyd and Rachel Zegler.
Over the past few years, theatre professionals have been taking bold steps to draw new audience members to the West End. From casting popular on-screen actors like Tom Holland and Sigourney Weaver in starring roles, to using cameras in new and innovative ways in productions like Kip William's The Picture of Dorian Gray, the West End has been evolving to reach a new audience. Now, Jamie Lloyd has taken this to the next level by giving the general public a taste of his production of Andrew Lloyd Webber's Evita, the most talked-about show on the West End, for free. Despite having only opened in June, Jamie Lloyd's Evita has already created plenty of buzz in the theatre world and beyond. You've probably already seen the videos swarming social media of Rachel Zegler as Eva Perón performing Don't Cry For Me Argentina on the balcony outside the Palladium. More on that later. It's clear from the very first note of the opening number that Evita absolutely deserves all of the hype it's getting. Watching this production is watching musical theatre history being made in front of your eyes. The decision to stage Evita, a show usually featuring opulent set design, on an extremely pared back set is a risky one. However, watching this bold move at the Palladium, the genius of Lloyd's decision is striking. The less opulent the staging, the more the spotlight is shone on the core elements of the show – and the clever directorial decisions, rich source material, stage full of triple threats and emotive lighting deserve all the focus they can get. Rachel Zegler is spellbinding as Eva Perón, emanating power, cunning and raw sexuality on stage in a Lady Macbeth-esque performance. This is an actress who's clearly made for the stage. When watching Zegler's performance and her interaction with the crowds of adoring fans at stage door, it's tempting to christen her as the next Patti LuPone or Bernadette Peters. But this would do her a disservice; Rachel Zegler is utterly herself, a shining talent that is taking the world by storm. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/06/GettyImages-2220796557-59a82e7.jpg" width="4523" height="3015" alt="LONDON, ENGLAND - JUNE 18: Members of the public watch Rachel Zegler perform "Don't Cry For Me Argentina" live on the balcony as she plays Eva Peron in "Evita" at the London Palladium on June 18, 2025 in London, England. (Photo by Jeff Spicer/Getty Images)" title="Rachel Zegler Performs On The Balcony Of The London Palladium In "Evita"" /> Of course, we have to discuss the famous balcony scene. When the news first broke that the most famous number of the musical, Don't Cry For Me Argentina, would be performed outside and live streamed to the audience, reactions were mixed, to say the least. However, this has proved to be one of the most thought-provoking and impactful decisions in recent West End history. When the camera panned to the crowds gathered outside, the audience gasped at the sheer number of people waiting to see Zegler perform. From inside the theatre, this is a truly unique experience, with Zegler's direct addresses to camera providing an innovative fourth wall break and changing how you, the audience member, feel about your role. Most of the recent coverage about this production has focused on Jamie Lloyd and Rachel Zegler; however, it's impossible to ignore the power of Tim Rice and Andrew Lloyd-Webber's source material. While a divisive figure in the world of musical theatre, Lloyd-Webber has crafted a fascinating musical landscape, from the eerie and powerful Requiem for Evita to the infectious rhythms of Buenos Aires and the clever leitmotifs present throughout the score. A spotlight should also be shone on choreographer Fabian Aloise, the brains behind the raw, sensual movement onstage. Aloise has been vocal about his belief that dancing is acting, and his creative ethos is clear in this production. While it's important to marvel at the sheer force of talent behind this production, perhaps the biggest marvel of all is how this production is connecting the theatre to the general public. Jamie Lloyd has been outspoken about his disdain for the inaccessibility of the theatre. In the past, he has repeatedly used innovative ideas to bring people to the theatre; now he is bringing the theatre to the people, and changing the landscape of modern musical theatre as he's doing it. Buy Evita tickets at LOVEtheatre Buy Evita tickets at London Theatre Direct We've got some further reading to do on Evita's balcony scene, as well as an exclusive interview with the West End cast of Till The Stars Come Down. Plus, here's our Inter Alia review. When and where can I see Evita? Evita is playing at the London Palladium in Central London (right by Oxford Circus tube station) from 14th June until 6th September 2025. You can also catch Rachel Zegler's balcony performance of Don't Cry For Me Argentina at around 9pm each night (bar Sundays) and around 4pm on matinee days outside the London Palladium. Buy Evita tickets at LOVEtheatre Buy Evita tickets at London Theatre Direct How to get Evita tickets Simply follow the links below to head to the ticketing website of your choice and select your tickets. There are still plenty of tickets left, and plenty of affordable seats. Buy Evita tickets at LOVEtheatre Buy Evita tickets at London Theatre Direct For more theatre recommendations, here's our roundup of the best West End shows and the best open air theatre shows.
Chessington World of Adventures review: Rides, parking, queue times and more
We headed down to Zone 6 to check out the animals, roller coasters, accommodation and more at Chessington World of Adventures.
Did you know that you can visit giraffes, gorillas, sea lions and more in vast swathes of nature, all within London itself? That's the promise of Chessington World of Adventures, Zone 6's animal-themed theme park. Located conveniently close to Central London, Chessington is currently divided into different themed areas, including Land of the Tiger, Wild Woods, World of Jumanji, Chessington Zoo and more. We visited Chessington World of Adventures last month, and now we're here to give you the low-down on what it's really like inside. From answering questions about queue times to accessibility information, this comprehensive review will help you plan your trip this summer and beyond. Buy Chessington World of Adventures tickets from £29 We included Chessington in our list of top UK theme parks; why not see what else made the cut? Chessington World of Adventures details Date visited: 9th-10th May 2025 Location: Chessington, Kingston-Upon-Thames Price: from £29 per person Opening times: 10am-5pm Getting to Chessington World of Adventures Where is Chessington World of Adventures? The theme park is located in Chessington, Kingston-Upon Thames, just a short train ride from Central London. Chessington itself is in Zone 6. What is parking like at Chessington World of Adventures? There are several options when it comes to parking at Chessington World of Adventures. Standard Parking costs £12 and is located 5-10 minutes walk away from the park. If you want to be closer to the entrance, then you can opt for Express Parking, which costs £20 and is situated at the Lodge Gate entrance beside the Chessington Safari Hotel. You can also combine your parking with your entrance ticket with the Early Access and Express Parking bundle tickets, which starts at £49 for a group of two. What is public transport like to Chessington World of Adventures? The park is very easily accessibly from Central London, as direct trains from main stations like Victoria, Vauxhall and Clapham Junction depart multiple times an hour. These trains run to Chessington South, which is a 15-20 minute walk from the park. Chessington World of Adventures is also easily reachable by bus, with the 71 bus running from Kingston and the 467 bus running from Epsom. Score: 5 stars Buy Chessington World of Adventures tickets from £29 Chessington World of Adventures rides and attractions What rides are at Chessington? Two things set Chessington apart; firstly, the fact that their rides cater to a broad range of ages, and secondly, the selection of rides themed around beloved characters. Younger visitors can get up close and personal with the Gruffalo himself on a water ride that takes you through the story from the original book. Plus, the Room on the Broom ride brings Julia Donaldson's book to life. We can confirm that these are also very enjoyable experiences for older guests! With Paw Patrol Land coming to the park in 2026, these experiences are set to keep getting better. There are plenty of other rides suitable for little ones, from Barrel Bail out, a water-based shooter game, to Treetop Hoppers, a kid-friendly drop ride, and River Rafts, a mini-flume ride. Apart from rides, children can run through Canopy Capers, a high rope walkway adventure, and the soft play area, Dragon's Playhouse. For those who enjoy a more thrilling experience, you have plenty of options. Our personal favourite is Mandrill Mayhem, a heart-pounding thrill ride with a scary twist, that offers a different experience depending on where you sit. Additionally, you have the plunging Croc Drop, rapidly spinning Dragon's Fury and the log flume ride Tiger Rock, which provided us with some refreshment on a warm day. Not to forget Vampire, the park's oldest rollercoaster. While these rollercoasters provide exciting twists and turns, only Mandrill Mayhem will flip riders upside-down. It's important to remember that roller coasters aren't the only things on offer at Chessington. The park boasts over 1,000 exotic animals at Chessington Zoo and SEA LIFE centre, from tigers to monkeys, penguins and more. You can watch the animals in their habitat, as well as attending talks about the animals, training sessions and feeding times. If you want to get even more up close and personal with the animals, there's the option to book a VIP experience. We had the pleasure of meeting the park's three reindeer, Jingle, Belle and Aurora, and feed them, while we learnt interesting facts about reindeer from our knowledgeable guide. What are Chessington queue times like? As with any theme park, this will depend on which day of the week you decide to go. We visited on a sunny Saturday in May, which proved to be a rather popular day. More thrill-seeking rides like Mandrill Mayhem and Vampire had wait times of around 40-50 minutes, while medium-level rides like Croc Drop and Tomb Blaster were closer to 20-30 minutes. Rides suitable for younger children had varying wait times, with more popular rides like The Gruffalo River Ride Adventure and Seastorm having wait times from 20-35 minutes. Visiting during the week is a good way to reduce the amount of time you'll be waiting in queues as there's lower demand for weekdays. Score: 4 stars Buy Chessington World of Adventures tickets from £29 Chessington World of Adventures food, drink and accommodation What food and drink options are in Chessington World of Adventures? There are a number of restaurants in Chessington, offering everything from fish and chips (Captain's Fish and Chips) to smoked meats (Smokehouse BBQ and Bar) and chicken shop-esque meals (Drop-n Chicken). Although there is plenty of variety in the options available, Chessington's restaurants are more on the pricey side, with simple meals costing around £12-16. While meals may be slightly overpriced, Chessington's on-the-go options, like hot dogs and donuts are reasonably priced great options for a daytime treat. When it comes to drinks, Chessington recognises the importance of staying hydrated, with free water dispensers located throughout the park. Caffeine addicts will be glad to know that Costa coffee is available throughout the park, providing any necessary energy boosts throughout the day. Can I bring my own food and drink into Chessington World of Adventures? Yes, you can bring your own packed lunches into Chessington. If you're on a budget, we would recommend doing this, as the food options are quite pricey. There are designated picnic areas throughout the park, where you can enjoy food and drink brought from home. Are there vegan/vegetarian options at Chessington World of Adventures? Yes, there are plenty of vegan and vegetarian options at the various restaurants in the park, Plus, the fish served is sustainably sourced as approved by the Marine Stewardship Council. Are there healthy options at Chessington World of Adventures? While the healthiness of a particular meal will depend on what you order, meal options at Chessington are more based on fast food like burgers, pizza, hot dogs and chips. If you're after healthier options, we would recommend bringing a packed lunch. Which Chessington hotel is best? On-site at Chessington, you'll find two hotels: the Safari Hotel and the Azteca Hotel. While both hotels are part of the same building, split in half, the Azteca Hotel is a newer build with more expensive rooms, making the Safari Hotel the budget option. However, hotel guests at both hotels have access to the same facilities, including a swimming pool, sauna and steam room. Plus, any short break booked at either hotel will include an overnight stay, free breakfast, one day theme park and zoo entry, and free car parking onsite. Each hotel offers different themed rooms, which could be a major deciding factor when it comes to booking. The themed rooms really show the creativity of the Chessington staff, as themes include Jumanji, Gruffalo, Room on the Broom and Oreo (yes, the biscuit). We had the pleasure of staying in the Christmas Room at the Safari Hotel which is, you guessed it, a year-round Christmas-themed room, complete with a decorated tree, stockings and a door that plays Merry Christmas Everyone every time it's opened. Score: 3.5 stars Buy Chessington World of Adventures tickets from £29 Chessington World of Adventures prices and value for money If you book in advance, you can get entrance tickets from £29, which we consider a great price for the variety of roller coasters, animal exhibits and shows that are available at Chessington. Can you get fast track at Chessington? Yes, however fast track has been replaced by a system called Reserve and Ride. This system allows you to reserve your space in the queue for the ride you wish to go on via your smartphone. This means that you'll only be queueing virtually, so you can use your extra time to go on other rides, grab a bite or check out some of the animal exhibits. Reserve and Ride starts from £15 per person, and we would highly recommend it to make the most of your day in the park, especially if you go on a weekend or during the summer. Do Chessington offer good ticket deals? We'd already say that Chessington's entry price of £29 is well worth the money, but you can also access plenty of savings on a range of different tickets. Pre-booking your ticket means you'll access huge savings, plus if you have any little ones under 90cm, they'll get in for free. Also, you can currently book short stays from just £34 per person. If you plan on visiting the park multiple times, a Chessington Annual Pass starts from just £59, meaning you only need to visit twice to get your moneys worth – and we're sure you'll want to go more than that. Plus, don't forget about the Merlin Pass, which includes access to Chessington, as well as 24 other attractions throughout the UK. For more on this, we've rounded up all the best offers in our guide to the best Chessington World of Adventures ticket deals. Do Chessington offer NHS or student discount? Students can visit Chessington for less, with student tickets beginning at just £21. While the park itself doesn't offer an NHS discount, member of the emergency services, NHS, social care sector, or armed forces can access discounts via a Blue Light Card. Score: 5 stars Buy Chessington World of Adventures tickets from £29 How accessible is Chessington World of Adventures? Is Chessington theme park accessible? Guests who may find it hard or are unable to stand for long periods of time due to a physical disability or a learning or emotional impairment are entitled to a Ride Access Pass at Chessington. Applications for a Ride Access Passes must be submitted at least seven days before your visit. Once you arrive at the park, you can collect your physical Ride Access Pass ID which card which is valid for three years and can also be used at Alton Towers Resort, LEGOLAND® Windsor Resort and Thorpe Park. The rides themselves have different rules and restrictions, therefore Chessington has provided all necessary information on their website for guests to read up on before they visit. Disabled toilets are located throughout the park in the following areas: Lodge Gate, Shipwreck Coast, Adventure Point, Wild Wood and Forbidden Kingdom. There's also a dedicated accessible changing area in Shipwreck Coast with a height adjustable changing bench, shower, toilet and a hoist. Guests also have the opportunity to hire wheelchairs, mobility scooters, pushchairs and buggies from the park itself. Are the Chessington hotels accessible? Both Chessington hotels are equipped with step-free access and have accessible public toilet facilities, as well as seven rooms in the Safari Hotel and seven rooms in the Azteca Hotel equipped with pull alarm cords, handrails in the bathroom, widened doorways, lowered fixtures and additional accessible features. When it comes to parking, there are accessible parking bays in front of the Safari Hotel which are available to Blue Badge holders and free of charge for guests staying in the hotel. Portable induction loops are available at hotel reception to use around the accommodation for any deaf or hearing-impaired guests. Assistance and guide dogs are welcomed, but bear in mind that you must inform hotel staff before your visit so they can best accommodate. Also, be sure to inform hotel staff of any additional help you may need in the case of an emergency. Hotel staff are prepared to accommodate dietary requirements which staff are made aware of when you're booking your hotel stay. Buy Chessington World of Adventures tickets from £29 Is Chessington World of Adventures worth it? The short answer is yes. The ticket price of £29 gives you access to a huge amount of rides, both tame and terrifying, as well as exotic animal exhibits and interesting fact-filled shows. The variety of attractions within the park mean that it's suitable for any age group – from toddlers to teens to even adults. We had a great time here, and we're sure that you will too. Buy Chessington World of Adventures tickets from £29
Mrs Warren’s Profession review: Imelda Staunton and Bessie Carter battle it out as mother and daughter
Imelda Staunton and real-life daughter Bessie Carter are both forces to be reckoned with.
Imelda Staunton and real-life daughter Bessie Carter go toe-to-toe in this polished, throaty version of George Bernard Shaw's Mrs Warren's Profession – a Victorian era play once deemed so scandalous it was banned for nine years by the Lord Chamberlain before earning its first performance in 1902. Its crime? Why, a nuanced and sympathetic depiction of women, of course. The episode follows the patchy relationship of Vivie and Mrs Warren during the latter's visit to England following years of parental separation. Vivie is a straight-talking and ambitious mathematics graduate who detests the unthinkable idea of romance – and for once, there's no man managing to convince her otherwise – while Mrs Kitty Warren is a shock of caterwauling tone and ruthless pragmatism who, we learn, originally earned her wealth through sex work before obtaining a chain of brothels across the continent. This fact, you'll probably have guessed, is explosively revealed to an unaware Vivie, who runs through a complex string of emotions ranging from moral indignation to compassion and care in a way that could be perfectly pasted into any era. These moments are the unabashed highlight of the show. Two scenes in which Staunton and Carter sit across from each other in a battle of wills, both playing with our sympathies as they navigate a litany of societal and generational debates. Both and neither gain the high ground as Kitty appears callously capitalistic at times, yet vulnerable at others, while Vivie flickers between prudish, judgemental and warm. The delivery of their duologues is pitch-perfect, lines pinging off one another, and yet, both play with pauses and stillness in a way that feels utterly authentic. All the more helped by the very modern way in which the topics of sex work and womanhood are brought to the level of society and not placed on the moral fortitude of a single woman – radical indeed... In fact, with such palpable and known chemistry in the room, the scenes felt strangely reminiscent of two women discussing society over a live podcast recording. Plus, while neither won the day with their argument, both scored a victory in assuring us that the Staunton/Carter acting dynasty is secure. The magic of these moments sadly didn't stretch out to the extraneous male characters, who really only served to facilitate the Warrens' scenes. However, considering the nuances at hand and the core, but barely mentioned, workers who play a part in Mrs Warren's story, I'm not sure that's a bad thing. This is all the more highlighted by the play's use of several young extras dressed in period-appropriate underwear, who appear as ghostly presences throughout the performance, reminding us of who they are and showing once and for all that this play is all about women. When and where can I see Mrs Warren's Profession? Mrs Warren's Profession will run at Garrick Theatre from now until 16th August 2025. The theatre is just down the road from Trafalgar Square, so we'd suggest heading to Leicester Square (Piccadilly Line and Northern Line) or Charing Cross (Northern Line and Bakerloo Line). Tickets start from £25 and are available at SeatPlan and LOVETheatre. Buy Warren's Profession tickets at LOVETheatre Buy Warren's Profession tickets at SeatPlan You can also check out The Great Gatsby review and best West End shows.
Great Gatsby musical review: Old sport gets new life at the London Coliseum
This new adaptation puts the "roaring" back into the 2020s.
F Scott Fitzgerald's novel The Great Gatsby is a monolith of American literature, and for good reason. With themes of the American Dream, class, decadence, femininity – can you tell I've been on Cliff Notes? – its magic has had a stranglehold on Western readers for exactly 100 years. All this to say, that replicating it for any medium is no easy feat. So, does the new version that's rocked up at the West End get the green light? Yes... and no. Marc Bruni's musical adaptation is a shimmering, spangled, and frankly masterful display of opulence, one that perfectly emulates the lavish lives of the nouveau riches who inhabit Gatsby's world. Its colours, costume and, well, vibes were immaculate – as fizzy and effervescent as a glass of champagne – owing mainly to an exceptional ensemble who twirled, pulsed and Charlestoned across the stage like the careless group of partygoers they were undoubtedly supposed to be. A huge moment of applause for both choreographer Dominique Kelley and costume designer Linda Cho who made up a huge part of the show's glitzy appeal – it wasn't hard to see why her efforts on Broadway earned her a Tony. But, out of the principal cast, the biggest highlight for me came from High School Musical actor Corbin Bleu as Nick Carraway. Despite Nick's role as a narrator being somewhat reduced in stage form, Bleu felt absolutely central and carried the entirety of his journey with gravitas and grace. We got to see his move from naivety to being sucked in by the glittering party lifestyle and subsequently being shoved back out again by the show's tragic events. Ultimately, he held the show's moral message on his shoulders and nailed it. Across from him as a formidable stage partner was ex-Love Island star Amber Davies. Her portrayal as a bold, untethered and uncensored Jordan Baker was superb, complete with plenty of attitude and some of the best songs to sing. Completing the main four was Frances Mayli McCann, who was on-point with Daisy Buchanan's complex behaviours – foamy and frivolous in one moment, but burdened and grief-stricken in the next – and Jamie Muscato as Gatsby himself. Easily with the most difficult job, Muscato had a deft blend of charm, bravado and vulnerability, he was particularly delightful when showing his nerves about his and Daisy's first meeting. Sadly, though, our first encounter with him fell somewhat flat as he immediately launched into telling Nick about his plans for Daisy, coming off as a more obsessed and ghoulish figure than a dazzling rogue. This is where a few of the musical's issues come in. It seems that, much like the character of Gatsby himself, stripping away a lot of the glitz and glamour left a hollow space underneath. Despite the many discussions and songs about "new money", and the attention given to characters George and Myrtle Wilson – gorgeously played by Joel Montague and Rachel Tucker – the show did little more than glance over the deeper themes such as class and perception. The first act was especially guilty of this. Thanks to a string of fairly unmemorable songs, the musical was more Gatsby paint-by-numbers than Gatsby work of art, as it failed to really push into what makes the book and its namesake so mythical. Perhaps a bit more dialogue was needed and a few more pauses on the action to look inward. This was, however, much improved on in the second act. As Tom Buchanan's brutish nature and snobbery comes to the fore, we get much more into the weeds of arguments around money and so-called breeding. Plus, we see the impossible choices faced by women at this time. Gatsby's death – spoiler alert, I guess? – is sudden and unsatisfying in the best way and the fact we see his party-goers simply giggle, gossip and move on afterwards perfectly shows how fake and meaningless it all was. This all culminates very neatly with a return of the opening number, a chilling image of Gatsby looking out across the dock, and a promise from Nick to keep the party "rolling on." And so it will night after night at the West End... Buy Great Gatsby tickets at TodayTix When and where can I see The Great Gatsby Musical? The musical is running at London's Coliseum from 11th April to 7th September 2025, with shows every Wednesday to Monday. The Coliseum is just a stone's throw away from Trafalgar Square so you can get their via Charing Cross (Bakerloo and Northern Lines) and Leicester Square (Piccadilly and Northern Lines). Buy Great Gatsby tickets at TodayTix You can also check out how to get Chelsea Flower Show tickets and how to get Women's FA Cup Final tickets.
The Royal Opera House's Carmen review: Akhmetshin and Véliz ignite Michieletto's production
Damiano Michieletto's Carmen sizzles on The Royal Opera House main stage.
From 1875 to 2025, Georges Bizet's Carmen still proves ever-popular; Damiano Michieletto's production of Carmen has returned to The Royal Opera House, and, staying true to the original, you can expect passion, lust and violence. I was invited to see Carmen on its opening night at Covent Garden's The Royal Opera House. Bizet's Carmen is the second most performed opera (after La Bohème) in the theatre's repertory, having been shown on stage over 600 times. As always with RadioTimes.com's reviews, we share our thoughts on a piece of theatre in an accessible way, whether it's your first time at the opera, you visit once every season, or frequenting the opera to you is like popping into your corner shop. One of the most well-known operas in the world, Carmen is set in a remote Spanish town where its eponymous character declares that any mean she loves should be afraid. However, even our heroine is unprepared for what will happen when she seduces police officer Don José, and his jealously threatens to erupt... Mezzo-soprano Aigul Akhmetshin returns to the role of Carmen in this The Royal Opera House production, and she carries off Carmen's songs, such as Carmen's Habanera, with fire. As does Yaritza Véliz as Don José's neglected lover Micaëla. Véliz is an alumna of The Royal Opera's Jette Parker Artists Programme (which has made us even more excited to visit the Jette Parker Artists Summer Performance), who now has an incredible career of her own. Véliz brings an urgency to Micaëla's pleadings with Don José to return to his dying mother, who she claims has forgiven him of his sins. Micaëla's urgency is at contract with the ghostly figure of Don José's mother who haunts the stage as if she can't believe what trouble her son has gotten into. Tenor Freddie De Tommaso fills the shoes of Don José. Tommaso is excellent as the role of Carmen's jealous lover, and his vocals earned him perhaps the most bravos of the entire show. However, we did wonder why Carmen fell for Don José, as it didn't take much for him to fall for her, so what made him different to the other men lusting after her in the square? We doubt it would've been because he did her a favour. As well as the main cast, Carmen features a gaggle of children who make up by-standers in the square and announced the next act with title cards. While sweet to watch, the group of children felt at odds with the dramatic and often menacing story of Carmen. Carmen's score was excellent, with thanks to conductor Mark Elder; the rhythm and timing was brilliant, with room for the singers to breath in more serious numbers and for quicker scenes to skip along nicely. I also went to the front of The Royal Opera House to take a look inside the pit where the orchestra plays as I hadn't seen one before, and I'd recommend taking a look for yourself if you haven't either! I loved the set design; the lighting and staging felt modern but it didn't take away from Carmen's original southern Spain setting. Buy Carmen tickets from £60 at TodayTix When and where is Carmen showing in London? Like a lot of operas, you only have a limited time to catch Carmen at The Royal Opera House. Carmen is being performed at Covent Garden's The Royal Opera House from 9th April until 15th April 2025. Buy Carmen tickets from £60 at TodayTix How to get The Royal Opera House Carmen tickets <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/04/Yaritza-Veliz-as-Micaela-and-Freddie-De-Tommaso-as-Don-Jose-in-Damiano-Michielettos-production-of-Bizets-Carmen-5d69f60.png" width="620" height="413" alt="Yaritza Véliz as Micaëla and Freddie De Tommaso as Don José in Damiano Michieletto's production of Bizet's Carmen" title="Yaritza Véliz as Micaëla and Freddie De Tommaso as Don José in Damiano Michieletto's production of Bizet's Carmen" /> Tickets to see Carmen are on sale right now at TodayTix, and tickets will set you back £60. Buy Carmen tickets from £60 at TodayTix For more of the best operas in London, be sure to read our extensive guide. Plus how to get Women's FA Cup Final tickets and our Great Gatsby review.
Dear England review: A world-class goal for the National Theatre
I'm more inclined to watch football now than I ever was before.
This is a play about football. But, as they say in the play, “football isn’t just about football”. That’s what makes Dear England at the National Theatre such a beautiful two hours. Most people are familiar with the story. A group of footballers making it to the semi-finals, finals, quarterfinals and back to the finals again. A team working to reach a goal that hadn’t been achieved in over 50 years; working to make up for that famed 1996 missed penalty – It’s an inspirational story of perseverance and teamwork. Headed up by Gwilym Lee playing Gareth Southgate and supported by an exceptionally talented cast, the show is, much like I imagine football works, a testament to how the combination of talent creates something great. If you like football and are familiar with the corresponding real people, some of the jokes and characterisations will hit harder; you can appreciate the acting a little bit more. I’ve never watched a full football game before, but not knowing didn’t take away any enjoyment (much like not knowing who Eddie the Eagle was didn’t lessen my enjoyment for that sports film). The effects during the match moments felt quite exhilarating, making me more inclined to watch a football game than ever before. It is in the moments when the play moves beyond the game that elevate it. From the beginning, there is a focus on mental health and the challenge involved in embracing that in an environment that is somewhat resistant. Pippa Grange, played by Liz White, deftly showcases this tension with her interactions amongst the coaches and players. This thread ties this story together, emphasising the importance of a team supporting one another. As we the second act unfolds, the play delves deeper into the societal impact of the game. Moments with Tane Siah’s Saka, Kadell Herida’s Sancho and Jude Carmichael’s Rashford shift the focus, showing how football interacts with society at large. Namely the racism at play, something which, unfortunately, still infiltrates the game today. These three actors work to connect football to society at large in a more direct way than anything that came before it. It doesn’t spend too long in this topic, but it’s enough to make you think. It harkens back to plays like Roy Williams's Sing Yer Hearts Out for the Lads. We all know how this play will end before we even set foot into the theatre. But watching those 150 minutes unfold is mesmerising. Football fan or not, this is a play about belief and it’s about a nation learning “how to lose”. By the end, you’re going to be grinning from ear to ear. Buy Dear England London tickets at TodayTix But Dear England UK tour tickets at ATG Tickets How to get Dear England tickets Dear England is running until the 24th May at the National Theatre. Found on the London Southbank, the theatre is close to Waterloo, Embankment and Southwark stations, while also being well connected via buses, cycle routes and river boat services. It then makes its way on a national tour across the UK with venues including Salford, Milton Keynes, Oxford and Woking. Buy Dear England London tickets at TodayTix But Dear England UK tour tickets at ATG Tickets You can also take a look at how to get FA Cup Final tickets and Wimbledon 2025 tickets. Plus how to get Lady Gaga tickets. Plus, how to get Champions League Final tickets and our Great Gatsby review.
Clueless musical review: A love letter to the '90s and preppy fashion
The Clueless musical is a non-stop party and a treat for anyone who misses the '90s.
In an era where it seems no chick-flick or rom-com are immune from the musical theatre treatment, one can only hope that each production learns from its predecessors in order to stand out from the sequinned and none too self-aware crowd. After all, there's only so many times you can suck in the same groups with whispers of "remember how many times you watched this movie at sleepovers?" Luckily, the new Clueless musical has learnt the lessons of the past, combining the likeable airhead lead of Legally Blonde, the high-school drama of Mean Girls, and costumes so stylish they could give The Devil Wears Prada a serious run for its money. The result of all this a sunny, light-hearted romp with so much '90s nostalgia I half expected Beanie Babies to drop from the ceiling instead of confetti. Like the 1995 movie, the stage show is based on Jane Austen's Emma, and follows Cher Horowitz: a rich, popular high school student determined to meddle in the love lives of others. One day, she finds her biggest project yet in the form of new student Tai. But, as Cher tries to set Tai up with the most popular guys in school, she learns that life isn't always as perfect as it seems. Because of its setting and decade, the show absolutely dines out on its 90s references – a little too much to be honest. The dialogue is packed with every "fly", "fresh" and "buggin" bit of lingo you can think of to the extent it sometimes prioritises the kickin' words and showing off a Blockbuster tape over genuine comic timing, although hopefully this is something that will be ironed out with time. But, the show doesn't stop there. The soundtrack, written by noughties pop singer KT Tunstall, is packed with '90s riffs that pay homage to some of the very best bands of the age. For anyone who misses Nirvana, REM or the Backstreet Boys, chances are you'll spend half the show searching through your mental catalogue of 90s hits, trying to remember what each song reminds you of. But sadly, while the intros are an absolute treat, the lyrics and choruses themselves lack a bit of substance and none seem to stick around in the head afterwards. The same can also be said of the show's general moral message, which gives a good punt at being profound and all about how to genuinely help people, but misses the mark with its delivery. But onto the positives: Although Cher became an icon thanks to the work of actress Alicia Silverstone, West End newcomer Emma Flynn is fabulous as the lead. Despite the character's obvious privilege and ignorance at her own manipulative behaviour, she makes it impossible to hate her with her bright-eyed innocence and bubbly nature. Another bright spot is Romona Lewis-Malley as Tai, who is just so sweet and endearing and yet contrasts the puppy-dog stare of her character with powerhouse vocals. The highlights for me, however, came in the most unexpected places. Max Mirza as Elton and Isaac J Lewis as Christian – both prospective partners for Cher and Tai – were exceptional in their comic timing and made it abundantly clear that their characters were not to be taken seriously. Mirza's solo in particular – which seemed strongly influenced by Right Said Fred's I'm Too Sexy – was an absolute hoot. With all that in mind, Clueless is not the friend that clutches your hand, looks deep into your soul and says "I'll guide you through this," but more the airy coffee friend who breezes into your life, shows you a good time and swans off again without leaving the biggest impression – but as long as you had fun, what's wrong with that? Buy Clueless tickets at ATG Tickets Buy Clueless tickets at London Theatre Direct When and where can I see Clueless the Musical? Clueless the Musical is coming to the Trafalgar Theatre from now until 14th June 2025. Shows run every Monday to Saturday, with a matinee on Thursdays and Saturdays. Trafalgar Theatre sits just outside Trafalgar Square, a short walk from Charing Cross (Bakerloo and Northern Line) and Embankment (Bakerloo, Northern and Circle and District Line). How to get Clueless the Musical tickets Clueless tickets are on sale now at London Theatre Direct and ATG Tickets. Right now, there's plenty of availability but make sure you head over soon. Buy Clueless tickets at ATG Tickets Buy Clueless tickets at London Theatre Direct For more theatre news and reviews, take a look at the best West End shows and how to see the Coronation Street live tour and our Great Gatsby review.
Farewell Mister Haffmann review: Nigel Harman cuts a chilling figure in this darkly funny production
From art-loving Nazis in occupied Paris to sexually frustrated tap dancing, this production is packed full of surprises that will keep you on the edge of your seat.
The English translation of Jean-Philippe Daguerre's Molière Award-winning play was first brought to the UK in 2023 at Ustinov Studio in Bath. Now the long-awaited London premiere has arrived at the Park Theatre, and it's everything theatre fans could hope for. Farewell Mister Haffmann is a World War Two play with a twist. Joseph Haffmann is a Jewish jeweller, who is forced to go into hiding during the Nazi Occupation of Paris. He enlists the help of his employee Pierre, offering him control of the jewellery shop in exchange for hiding him. Pierre has a proposition of his own however. He and his wife have been trying for a baby, with no success due to Pierre's infertility; so, this is where Mr Haffmann fulfils his part of the bargain. Predictably, chaos ensues. Throw in an art-loving Nazi, his lewd wife and one of the most tense dinner party scenes to ever make it onto the stage, and you've got an excellent stage play that keeps you gripped throughout its 95-minute runtime. While an Indecent-Proposal-meets-World-War-Two plot may not sound quite like a barrel of laughs, the play surprises with its remarkable ability to balance dark humour with creeping tension. Rather than making light of the heavy themes of the play, the humour serves to highlight the absurdity of the situation. Alongside the interesting concept of the main plot, Farewell Mister Hoffman explores how ordinary people fall for propaganda, something which feels eerily relevant in 2025. As the shop begins to flourish under Pierre's leadership, his customer base begins to favour some unsavoury characters, and we watch with a horror-like fascination at how Pierre begins to bend over backwards to justify his new business relationships. Throughout the play, characters fall further into morally grey areas and power dynamics begin to shift, causing tension to bubble up and burst through, with unpredictable and captivating results. The acting in this play was top-notch, with standout performances from EastEnders and Downton Abbey star Nigel Harman as the chilling German Ambassador (a villain with the unsettling habit of delivering threats with a smile) and Michael Fox as the slowly unravelling Pierre Vigneau (who channels much of his frustration into tap dancing). The overarching tension of the play is expertly mirrored in Rebecca Brower’s claustrophobic set design, which features several different rooms on the stage, plus the almost constant presence of the three main characters on stage. Christopher Nairne's lighting allows us to explore the characters' internal struggles, as opposed to how they interact with each other and the outside world. Overall, Farewell Mister Haffmann is a masterful meditation on the human condition, placing the individual's capacity for both kindness and cruelty in extreme circumstances under the microscope. Buy Farewell Mister Haffmann tickets from £31 at London Theatre Direct Want to hear more about what we thought of the latest West End shows? Check out our review of Jamie Lloyd's Much Ado About Nothing, as well as our review of The Seagull starring Cate Blanchett. When and where can I see Farewell Mister Haffmann? <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/03/Alexander-Waldmann-Joseph-Haffmann-Jennifer-Kirby-Isabelle-Vigneau-and-Michael-Fox-Pierre-Vigneau-credit-Mark-Senior-f7f4182.jpg" width="7570" height="5049" alt="Alexander Waldmann (Joseph Haffmann), Jennifer Kirby (Isabelle Vigneau) and Michael Fox (Pierre Vigneau)" title="Alexander Waldmann (Joseph Haffmann), Jennifer Kirby (Isabelle Vigneau) and Michael Fox (Pierre Vigneau)" /> Farewell Mister Haffmann is running at the Park Theatre in Finsbury Park from 10th March until 12th April 2025. Buy Farewell Mister Haffmann tickets from £31 at London Theatre Direct How much are Farewell Mister Haffmann tickets? Ticket prices start from £31 and will vary depending on which date you choose and where you decide to sit. Buy Farewell Mister Haffmann tickets from £31 at London Theatre Direct We've got plenty of recommendations for what to go and see at the theatre, from the best West End shows, plays and musicals, to the best Shakespeare plays to see in London. Check out our Clueless musical review and our Great Gatsby review.
The Seagull review: Cate Blanchett and star cast impress in Chekhov reimagining
The audience are encouraged to look inwards in Thomas Ostermeier's adaptation of Anton Chekhov’s The Seagull.
4 stars "Who wants a bit of Chekhov?" That's how Zachary Hart (who plays Simon Medvedenko) opens Anton Chekhov’s The Seagull, adapted by German director Thomas Ostermeier, at the Barbican Theatre. The Seagull is a play written by Russian dramatist Chekhov in 1895 and first produced in 1896, and theatre goers worldwide have been delighted by the production ever since; its last London performance was at the National Theatre in 2022, and it starred Emilia Clarke as Nina. So by now, the theatre lovers of London are familiar with the story: melodramatic theatre actress Irina Arkádina (Cate Blanchett) and her lover, famous writer Alexander Trigorin (Tom Burke), arrive from the city to the countryside to be greeted by Irina's brother Peter Sorin (Jason Watkins), whose health is failing, and her troubled son, Konstantin Treplev (Kodi Smit-McPhee). The play begins with a play; director Konstantin and his muse Nina Zaréchnaya (Emma Corrin) perform to an audience made up of his family and their friends. What follows is an exploration of fame, love, happiness, and the meaning of art. From the first line, The Seagull invites the audience in and forces us to reflect. The production is strikingly aware of itself, but that only makes it more brilliant, particularly as a drawback to a show like this could be the celebrity status of its glittery ensemble. The audience is forced to reflect – not least when the lights turn on in the Barbican theatre and Burke's Trigorin asks us what we're doing here – on the play's themes in relation to the characters and ourselves, but also to the actors playing the characters. The fourth wall is broken numerous times throughout, and the actors allude to being actors on stage, perhaps most prominently when Blanchett removes her microphone and repeats her lines. Blanchett and Corrin's are theatre actors in the play and in real life, and at one moment in the show Blanchett sighs "It was press night" in relation to her character's show but also to the show we were currently watching. However, while we were forced to acknowledge we were an audience watching a play, it didn't take me out of the story itself. Ostermeier's The Seagull did an excellent job at pressuring the audience to consider the theatre at large; when Trigorin tells the audience the world needs more Nelson Mandelas and Marsha P Johnsons, not theatre goers, and Konstantin exclaims theatre is for the elite, it makes you wonder why those messages still land today. I'm always in awe of the Barbican and how it holds space for so many events such as theatre shows, art exhibitions, and concerts. Magda Willi's set design is fantastic — it's simple and modern, with a splash of chairs and small cornfield. Buy The Seagull tickets from £83.40 at LOVEtheatre When and where can I see The Seagull with Cate Blanchett at the Barbican? We'd encourage anyone who hasn't yet experienced The Seagull to head to the Barbican Theatre to watch it. The Seagull is performing for a limited time only from now until Saturday 5th April 2025, and you can find the Barbican Theatre on Silk Street, Barbican, London, EC2Y 8DS. Buy The Seagull tickets from £83.40 at LOVEtheatre How do I get The Seagull Barbican tickets? There are still tickets available for The Seagull, however, due to the stellar cast, limited-time run, and high-demand, ticket prices are quite expensive from £83.40 at LOVEtheatre. The Going Out team have awarded this show four/five stars, and we would recommend purchasing tickets if you're able. Buy The Seagull tickets from £83.40 at LOVEtheatre Take a look at more brilliant productions in our best West End shows guide and our Great Gatsby review.
Backstroke Review: Tamsin Greig and Celia Imrie shine in touching drama
Make no mistake, this is an emotional and intimate play, but well worth it.
You won’t be surprised to learn that Backstroke is an extremely sad play. What you may be surprised to learn is that it’s funny, too. Friday Night Dinner's Tamsin Greig plays Bo, whose mother Beth – played by Celia Imrie of Bridget Jones fame – is admitted to hospital following a stroke. Written and directed by Anna Mackmin, the following 130 minutes are an exploration of this complicated mother-daughter relationship. We view key moments throughout their lives but always land back to the hospital bed which Beth occupies. It’s when the play moves into the past that we can laugh. It’s also here that Imrie embodies the eccentric nature of Beth, often to the exasperation of her daughter but much to the delight of the audience. Nuzzled in between the sex references and the weight jibes, Imrie delivers a tenderness to a woman who, while full of life and defiance, is also grappling with her own illness. The staging helps to differentiate between the past and present. A kitchen occupies the foreground; where most of the scenes set in the past take place. Centre stage, and the background, is the hospital – the present day. It’s a constant that serves to remind the audience that the exuberant Beth of the past is no longer like that. The lynchpin of the entire show? Tamsin Greig. It is her portrayal of Bo and her struggles which we’re tied to. Despite playing the "daughter", she has nearly always played the role of the “mother” in this relationship. And much like this relationship, the play rests on Bo’s shoulders. Surrounding this mother and daughter are a cast of supporting characters played by Lucy Briers, Anita Reynolds and Georgina Rich, all of whom play their parts beautifully to further this very human experience that we’re part of. Make no mistake, this is an emotional and intimate play. There is a tenderness in the way Grieg and Imrie play against one another. There are moments where it is uncomfortable to watch. It’s a cathartic experience that stays with you long after you leave the theatre behind. How to get Backstroke tickets <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Celia-Imrie-in-BACKSTROKE-Donmar-photo-by-Johan-Persson-2-6bca641.jpg" width="5612" height="3741" alt="Backstroke by MACKMIN, , Writer - ANNA MACKMIN, Director - ANNA MACKMIN, Designer - LEZ BROTHERSTON, Lighting - PAULE CONSTABLE, Video Designer - Gino Ricardo Green, Choreographer - Scarlett Mackmin, Associate Director - FIONA DUNN, The Donmar Warehouse, 2025, Credit: Johan Persson" title="Backstroke" /> Backstroke is running from 15th February to 12th April 2025 at the Donmar Warehouse. To get there, the closest stations are Tottenham Court Road, Covent Garden or Leicester Square stations. Tickets are available at Donmar Warehouse with plenty of availability throughout. Make sure you also check out how to get Post Malone UK tickets, how to get French Open tickets and our Much Ado About Nothing review. Plus Carabao Cup 2025 final tickets and British Grand Prix tickets and our Great Gatsby review.
Much Ado About Nothing review: Tom Hiddleston and Hayley Atwell bring the party to the West End
In recent months it seems many a West End director has had to learn the hard way that putting any Hollywood star with any Shakespeare script does not always equal success. However, with this particular equation – that of two Marvel superheroes, plus the Bard's best-loved rom-com, plus... a jukebox musical? – Jamie Lloyd has at last found the answer, because his latest adaptation of Much Ado About Nothing is a big hearted, bombastic and utterly bonkers joy from start to finish. Despite the austere setting of the Theatre Royal Drury lane, this show manages to walk the line between literary classic and millennial house party, thanks in part to a packed soundtrack of '90s club classics. Throughout the performance hot pink confetti rains from the ceiling – to the extent I worried for the clean up crew – and in the first act, a giant inflatable heart descends onto the stage, because to hell with subtlety. When you’re dealing one of the most iconic enemies to lovers stories of all time then why not relish in it? And relish they did. Tom Hiddleston literally dances across stage as the swashbuckling, sweet talker Benedick who starts off a sworn bachelor, but upon learning Beatrice 'loves him', turns delightfully awkward to the point I wanted to say, "Tom, your Hugh Grant is showing". <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Much-Ado-About-Nothing.-Forbes-Masson-Mara-Huf-Hayley-Atwell-Mason-Alexander-Park-Phillip-Olagoke.-Credit-Marc-Brenner.-3757-db6f50a.jpg" width="4363" height="2909" alt="Much Ado About Nothing. Forbes Masson, Mara Huf, Hayley Atwell, Mason Alexander Park & Phillip Olagoke. Credit - Marc Brenner. 3757" title="Much Ado About Nothing. Forbes Masson, Mara Huf, Hayley Atwell, Mason Alexander Park & Phillip Olagoke. Credit - Marc Brenner. 3757" /> Atwell is similarly supreme as Beatrice, showing her wholeness as a barbed, intelligent, yet soft hearted woman who welcomes love with open arms when the time comes. In her performance, Atwell manages to carry the legacy of Shakespeare’s sharpest heroin while also bringing a world-weariness to the words which feels entirely her own. When they're together, sparks fly. Whether it's because the pair have moved in similar Marvel-sized circles over the last decade, or they're simply that good, the duo seem entirely comfortable in each other's presence, flinging insults back and forth with hardly contained glee before later moving into throaty declarations of loves that, I admit, brought tears. Joining the two film stars on stage is a stellar cast which includes Mason Alexander Park – the highlight of Jamie Lloyd’s last production The Tempest – who adds soul to the entire performance, not only with their deft portrayal of the loyal maid Margaret, but also by singing a number of ballads and party hits throughout. James Phoon is also a highlight, as Claudio he represents the dangerous overlap of golden retriever boyfriend and entitled misogynist who turns on Hero, his would-be fiancé, at the drop of a hat. Again, he manages to make Shakespeare's words so relevant to the modern day. <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Much-Ado-About-Nothing.-James-Phoon-Claudio-Gerald-Kyd-Don-Pedro-Mara-Huf-Hero-Forbes-Masson-Leonato.-C-Marc-Brenner.-6546-2148f41.jpg" width="3372" height="2248" alt="Cast of Much Ado About Nothing partying on stage" title="Much Ado About Nothing. James Phoon (Claudio), Gerald Kyd (Don Pedro), Mara Huf (Hero) & Forbes Masson (Leonato). C-Marc Brenner. 6546" /> As a whole though the entire cast carry off the switch in tone in the second act unbelievably well. All the goofiness and joy of the first half is instantly extinguished as Hero is accused of being ‘un-chaste’, to be replaced by nasty words and gut punching grief. But of course this is a Shakespearean comedy, so naturally all that confusion and sadness is sorted at the end, leaving the characters with nothing left to do but marry and dance – what a wonderful way to spend an evening. Overall, I defy anyone, from the harshest Shakespearean traditionalist, to the die-hard Loki stan, not to enjoy this sparkling rendition of Shakespeare meets Mamma Mia. Who would have thought that a play over 400 years old, would have people cackling, crying and catcalling – but then again, Tom Hiddleston is in it, so what did I expect? Buy Much Ado About Nothing tickets at London Theatre Direct Buy Much Ado About Nothing tickets at LOVE Theatre How long is Much Ado About Nothing in London for? <img src="https://images.immediate.co.uk/production/volatile/sites/3/2025/02/Much-Ado-About-Nothing.-Mika-Onyx-Johnson-Tim-Steed-Tom-Hiddleston-James-Phoon-Gerald-Kyd.-Credit-Marc-Brenner.-8063-81b8310.jpg" width="3510" height="2340" alt="Cast of Much Ado About Nothing dancing on stage" title="Much Ado About Nothing. Mika Onyx Johnson, Tim Steed, Tom Hiddleston, James Phoon & Gerald Kyd. Credit - Marc Brenner. 8063" /> Much Ado About Nothing has a limited time only performance. The show runs until 5th April 2025 at Theatre Royal Drury Lane, with shows every Monday to Saturday. How much do Much Ado About Nothing London tickets cost? Thanks to reduced availability, tickets to see Hiddleston and Atwell in Much Ado About Nothing will set you back at least £59, not including the booking fee. Buy Much Ado About Nothing tickets at London Theatre Direct Buy Much Ado About Nothing tickets at LOVE Theatre How to get Much Ado About Nothing tickets Tickets are on sale at London Theatre Direct and LOVE Theatre and there is still plenty of seats available. Buy Much Ado About Nothing tickets at London Theatre Direct Buy Much Ado About Nothing tickets at LOVE Theatre You can also check out our guides on how TodayTix Rush tickets work, plus the best West End shows, best operas in London, and our review of The Unicorn. Plus Carabao Cup 2025 final tickets and British Grand Prix tickets and our Great Gatsby review.
Unicorn review: Stephen Mangan and Nicola Walker's throuple play is amusing but fails to provoke
The comedy, which also stars The Crown's Erin Doherty, lacks intimacy and passion despite its focus on a polyamorous relationship.
Just as a unicorn is rare, so too is an original play receiving a West End debut, and for that, we award Unicorn its flowers. However, for all of its efforts, this amusing play fails to be described as 'provocative'. Unicorn is a brand new production with a brand new script, and it's written by Mike Bartlett and directed by James Macdonald, with Kate Horton producing the play. This isn't the first time Bartlett and Horton have joined forces, having worked together on Cock, a production which follows a man torn between a male and female lover, starring Ben Whishaw and Andrew Scott. Similarly to the exploration of relationship dynamics in Cock, Unicorn interrogates the marriage between middle-class and middle-aged couple Polly (played by Nicola Walker) and Nick (Stephen Mangan). The couple's sex life has lost its spark, and the person Polly believes can bring it back is 28-year-old cockney student Kate (The Crown's Erin Doherty). The first part of the play is primarily concerned with the ins-and-outs of a threesome: What does it mean for Polly and Nick's marriage? How will the threesome affect their marriage in the future? Will it? What will the kids think? The neighbours? Nick's friend Tom? Self-aware critiques of masculinity, monogamy, shame and capitalism are offered, until the couple eventually decide whether they'd like to give the threesome the green light. In the second part, we learn Polly and Nick have separated, and Mangan's character meets up with Kate and suggests the three of them rekindle and have sex. Surprisingly, the threesome leads to a polyamorous relationship, with Kate becoming Polly and Nick's girlfriend. However, unlike the lengthy discussions on whether or not to have a threesome, there is no conversation ahead of becoming a throuple; the audience can only assume that the decisiveness of the polyamorous relationship is down to Nick's newfound assertiveness after taking up kayaking and kicking a man unconscious... It's in this second part that the audience learn about the dual meaning of the unicorn. As well as representing Kate joining Polly and Nick's relationship, we see unicorn as a symbol of hope. For Kate, being the unicorn offers security and stability as a young person — with recently deceased parents — in a world riddled with the cost of living crisis and climate change. For Polly and Nick, having a unicorn represents a way to feel like they're still living. Although Mangan and Walker have played a married couple before (in BBC's The Split), the three actors weren't convincing in a polyamorous relationship. The play began stunted and the dialogue felt jolted, and I was conscious that I was experiencing a play rather than a conversation between three people. Although the chemistry between the three of them warms up, there was a lack of intimacy and passion between them throughout, and some of the line delivery didn't land as intended – for example, Nick explaining the Latin roots of the word 'credit'. Doherty's character is drawn to her teacher Polly (who is also a poet) because of 'the words'. During one conversation between Polly and Nick, Polly describes how she'd like Nick to have sex with her, and Nick responds with an equally open confession. This was a great example of honesty, and I was keen for Unicorn to strive towards this level of non-shame. The set, which was created by Miriam Buether, is simple, with the scenes consisting of one object: a sofa, a bench, or a bed; the staging feels bare, and I think it contributes to the lack of intimacy we feel in the play. Buy Unicorn tickets from £102 at LOVEtheatre For more theatre show reviews, take a look at our Second Best review and Inside No. 9 Stage/Fright review. When and where can I see Unicorn in London's West End? Unicorn is performing at London's Garrick Theatre from now (Friday 14th February) until Saturday 26th April this year. Garrick Theatre is located in the capital city's West End at the following address: 2 Charing Cross Road, London WC2H 0HH. Buy Unicorn tickets from £102 at LOVEtheatre How to get tickets to Unicorn play at Garrick Theatre Tickets to see Unicorn are available to buy now at LOVEtheatre. Unsurprisingly, due to the star cast, tickets will currently set you back from £102. However, there is good availability for all dates. Buy Unicorn tickets from £102 at LOVEtheatre Take a look at the best West End shows on in London at the moment, plus the best kids theatre shows and how to get cheap London theatre tickets.
Second Best review: Asa Butterfield makes a life-affirming theatre debut
You wouldn't believe it was Butterfield's stage debut!
Sex Education's Asa Butterfield makes for a stunning stage debut in the one-man play, Second Best. Now, you’d be forgiven for assuming Butterfield had been on stage before. After all, he’s been a star on British TV screens since he was a child, and after seeing this show, it’s frankly astonishing to think this is his debut – what a talent theatre has been missing! In Second Best, you’re following the journey of a man, Martin Hill, who is about to become a dad. It’s at this moment, he reflects on his life and how he very nearly became Harry Potter. First off, the 80-minute stage play is funny. Moments into the show, laughter ripples through the audience. But soon after, a hush falls as Martin’s psyche is laid bare and this continues throughout: Comedy, to tenderness, to despair – full circle. Butterfield expertly delivers in his performance of Martin. Aided by the intimacy of Riverside Studios as a theatre space, he holds the audience’s engagement throughout. He makes the task of performing solos look effortless, but that’s not to say he carries the play alone. Directed by Michael Longhurst, the former Donmar Warehouse artistic director, the stage and sound are both used incredibly well to shift between the tones of the play. A large, white space, with minimal props provides the backdrop – this helps keep your eyes focused on Butterfield. While it’s not aiming for realism, there is nothing on the stage that is not used to heighten the emotions at work. Add in the sound and lighting effects and the audience are suddenly allowed into the mind of Martin. Asa Butterfield has been in many things in his life so far, playing many characters. It’s evident he’s an excellent actor, but Second Best may be one of his greatest performances so far. This is an 80-minute story you don’t want to miss out on. Buy Second Best tickets at TodayTix Buy Second Best tickets at London Theatre Direct How to get Second Best tickets Second Best is running from 24th January to 22nd February 2025 at Riverside Studios, which officially counts as Off West End. To get there, you can either head to Kensington (Olympia) or Hammersmith station. Tickets are available at TodayTix and London Theatre Direct and right now you can get if from £33. Buy Second Best tickets at TodayTix Buy Second Best tickets at London Theatre Direct You can also check out how to get Beyoncé pre-sale tickets , plus how to see Elizabeth Debicki in My Master Builder.