Summary
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story.
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story.
This micro-budget documentary from Toby Amies is so much more than a portrait of a man living with mental illness; it's an affectionate tribute to an incorrigible and well-loved eccentric. A larger-than-life figure with his tattoos, piercings, waxed moustache and flamboyant attire, Drako Oho Zarharzar has lived quite the bohemian life, including a stint modelling for Salvador Dali. But two near-fatal accidents have left their mark on this septuagenarian, who now lives with a condition known as anterograde amnesia. So while he can recall events from the past, he struggles to form new memories. Much of the film is shot on a single camera in Drako's Brighton council flat, a hoarder's paradise filled to the rafterswith notes, rubbish and pictures of well-endowed men - in effect, the jumbled contents of Drako's brain made manifest. Not that the squalor (or anything else for that matter) bothers this man; Drako's unfailing belief in his creed "Trust. Absolute. Unconditional." means that he remains untroubled by his helplessness. The genial Amies moves from being an impartial observer to a concerned friend and even a carer to this stubborn yet blissfully upbeat individual, whose infectious joie de vivre and rascally behaviour transcends what could have been a tragic story into something more life-affirming.
role | name |
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Drako Oho Zaraharzar | Drako Oho Zaraharzar |
Toby Amies | Toby Amies |
role | name |
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Director | Toby Amies |