Saturday 21 November

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Harry Enfield on Skins - Radio Times, February 2008

Harry Enfield © BBC
Harry Enfield talks to Benjamin Cook about starring in - and directing - edgy teen drama Skins.

"Teen telly would never be the same again. Last January, E4's first home-grown drama set a new blueprint for adolescent TV, with its bold, racy portrayal of the lives of a group of 16- to 18-year-old friends.

In that first series, comedian Harry Enfield played the dad of central character Tony (About a Boy's Nicholas Hoult). This time, as well as appearing again in front of the cameras, he's making his TV directing debut - and he's fully behind the series.

"I don't really watch much telly," confesses Enfield, "but Skins is just brilliant. I loved the first series and was asked to direct two episodes for the second. Whether they ask me to do anything else ever again remains to be seen."

Enfield first met Bryan Elsley, Skins' co-creator and writer of this week's episode (and the only member of the writing team over 30), when they were students at York University in the early 1980s. "Bryan doesn't like to just use 'normal' directors on Skins, so he thought it'd be fun to try me."

Did Enfield's standing as a funnyman make it hard for him to be taken seriously on set? "Actually, I'm much funnier directing than I am on screen. I enjoy it more, so I'm jollying around, making jokes, and then I get everyone focused.

"The pressures of acting are far greater than directing. You're in make-up for hours. You're hanging around for ages. When you're directing, the only pressure is time."

Although Enfield admits Skins is "for the youth audience primarily", the celebrity contingent - playing what he calls "the slightly caricatured, useless, mad, floundering parents" - will lure older viewers, too.

Alongside the return of Enfield the actor, guest appearances in series two include Shane Richie, Peter Capaldi, Arabella Weir, Sean Pertwee and, this week, the arresting spectacle of Bill Bailey dancing with a dog.

"Parents can watch Skins with their kids," says Enfield, "and have a laugh. But for the most part, I guess older people like me, we just like to know what our teenagers get up to, don't we?"

The basic principle of Skins, according to Bryan Elsley, is "to treat teenagers as sentient, intellectual people who aren't just waiting to put on a hoodie and stick a knife into somebody".

Storylines are devised by a collective of young British writing talent - from 17 up - and focus on a gang of Bristol-based sixth-formers, portrayed by actual teenagers, not 20-somethings playing it young. And, for all the tales of hardcore, house-ravaging revelry, it is a fundamentally optimistic drama.

So is it an accurate portrayal of teenage life? Enfield thinks so. "Well definitely of some: of middle-class teenagers from Bristol. The storylines come from the experiences of the young writing team. That, I suppose, gives authenticity, a voice and an edge, that wouldn't otherwise be there."

**

Now take a look at our full Skins guide.
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