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Series two introduction - Radio Times, February 2007

Philip Glenister and John Simm in Life on Mars © BBC
Cast and crew shared their experiences from the set of the hit drama's final series. They talked to Nick Griffiths.

The genesis of the show

"I love The Sweeney, and of course that was part of the inspiration for Life on Mars. Years ago we said, 'Wouldn't it be great to do something like The Sweeney, but there's no way any cop would behave like that any more', so eventually we came up with the idea of going back in time."
MATTHEW GRAHAM, co-creator

Setting the 70s scene

"What we tried to do from day one was to make Sam feel like a fish out of water. We were contrasting his 1973 environment with what he'd left behind in 2006. Everything has a slightly scummy edge."
MATTHEW GANT, production designer

"At first, [the hairdo] was like wearing a bird's nest on my head. And I
had no peripheral vision, so I kept having to turn my head to see things at the side."
LIZ WHITE, actor

"The majority of this stuff is hired from a prop house in London. There's even a company that sources original produce wrappers and reproduces them for film units."
MATTHEW GANT, production designer

"The Cortina's great. I love those old cars. There were always new ones turning up on set, to be in the background, and I'd always open the door and have a smell - you know, the leather smell you get in old cars. I'd just sit there and reminisce for a minute."
JOHN SIMM, actor

On developments in the second series

"You obviously want to push the characters forward, to develop relationships and to find ways of surprising the audience, but I'm not going to change the dynamics. You don't want Gene to start saying to Sam, 'Actually, you've got a good point.'"
MATTHEW GRAHAM, co-creator

"Gene's not going to stop calling women 'birds'. It's a continuation from where we left off."
PHILIP GLENISTER, actor

"Sam's sideburns are a little longer, so he's tried to settle a little bit. But he hasn't changed that much 'cos he still thinks he's getting out [back to the present] at any point."
JOHN SIMM, actor

Feelings about filming the final series

"I didn't want to do another series. I was away from home for six months, away from my family, and I was in every single scene. I'd get in at 8pm, exhausted, learn the next morning's script the size of Little Dorrit, try to watch the news, get up and go back to work again. I just can't do that intense level of work again."
JOHN SIMM, actor

"We got very excited about what we wanted to do in series two and how we wanted to end it. We loved the story we were telling, but to maximise it we had to end the show."
MATTHEW GRAHAM, co-creator

Expect the unexpected

"We're throwing some very unusual new things into the mix and messing with people's heads all over again. Towards the end of the series we'll be subverting the very tenure of the show, subverting what people think the show is about. It's definitely not a good idea to assume that you understand everything."
MATTHEW GRAHAM, co-creator

**

Read Matthew Graham's series two episode guide - or take a look at our full Life on Mars guide.
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