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Introduction to series four - Radio Times, April 2007 |
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Nick Griffiths catches up with the cast at work in Los Angeles.
"Taking Hustle to America is rather like taking coals to Newcastle. But
you could argue it's their spiritual home. Consider movies such as The Sting,
Ocean's 11, The Hustler, The Grifters, Paper Moon, the TV show Heist - all
American.
Now the Americans have
Hustle, and they've taken it to
their hearts. "I went to see the Rolling
Stones here at the Dodgers baseball
stadium and a few people came up
and said they liked the series," recalls
Marc Warren. "I was amazed."
The American critics also love
the show. The New York Times
proclaimed Hustle "a refreshing
throwback to 1960s caper movies".
And Variety called it "captivating"
and noted that its "top-notch
production values deserve imitation
in the US".
This will be Hustle's fourth series,
and such has been its success in
America that one of the original
cast, Adrian Lester, has left, seeking
movie fame. So Albert (Robert Vaughn),
Danny, Ash (Robert Glenister) and
Stacie (Jaime Murray) will be joined
from episode two onwards by new
boy Ashley Walters, the former So
Solid Crew rapper-turned-actor,
playing Billy Bond.
The first and last of the six episodes
are set in the States. Episode six finds
them in Las Vegas, trying to fleece
a casino of $5 million, hotly pursued
by the Mafia. Episode one is set in LA, where the team attempts the
most audacious of cons by selling the
iconic Hollywood sign to a Texan
movie-memorabilia fanatic. "We got
closer to the Hollywood sign than
anyone's got since 9/11," says Robert
Glenister. "It's very well protected
because it was vandalised. We were
buzzed a few times by the LAPD."
In this episode, the Texan "mark"
(victim) is played by another
Hollywood veteran, Robert Wagner.
"I've known Robert for as long as
I've been in Hollywood, practically.
Over 50 years," says Vaughn, who
appeared with Wagner in 1974's The
Towering Inferno. Jaime Murray places her scenes with
the 77-year-old Wagner among her
favourites. "He's got such a naughty
twinkle in his eye," she says. "He's
a real charmer."
The same episode
also sees the Hustlers
driving down Hollywood
Boulevard in a red
Cadillac convertible -
or rather, being driven on
the back of a low-loader
truck. It was the only
time the locals batted
an eyelid during the
location filming, such is
the ubiquity of the
movie industry, says
Robert Glenister.
He recalls: "It wasn't
just a low-loader with a
light and camera; they had a crane
and bloody great big arc lights, and
we drove past the Kodak Theatre and
Chinese Theatre, with four of us in
the back. That stopped a few cars."
Murray takes up the story: "We were
just tripping out. Robert and Marc
were standing up taking pictures and
being excited, like little kids. We know
each other so well; it's been really nice
to share such a great experience with
people you have no inhibitions with."
This is the reason why an
actor of Vaughn's stature
keeps coming back to
Hustle: "Mainly, I enjoy the
people," he says. "It's the most fun
I've ever had in a television series,
because these British actors are so
terribly funny. I never usually
socialise with the people I work with
in television series because you're
with them 12 hours a day. But we
have dinner together in London, and
we've had dinner here in Hollywood."
It's clear that Vaughn's co-stars
have been making the most of their
time in LA. They've had it all here. Sun, sea
celebrity, the LAPD. It's been a blast,
but Murray sounds the obvious
caveat: "They've really spoilt us.
The only way to top it is to do a series
out here, or have us in a different
European city every episode. To go
back to the studio in Bermondsey
I'm not sure that's going to be
a valid choice."
**
Now take a look at our full Hustle guide.
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