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Mark Gatiss interview - Radio Times, May 2006

Maureen Lipman and Billie Piper in Doctor Who © BBC
Doctor Who is about to make a whole generation see their TVs in a new and scary light! Nick Griffiths talks to writer Mark Gatiss.

"One of the scariest stories from last year's Doctor Who was the one with the old lady, as in the old Victorian lady who rose from the dead and advanced on your very own small screen, eyes iced, with the gurgling moan of the distinctly unladylike. (Fortunately Charles Dickens arrived to help save the day.)

That was one of Mark Gatiss's, and he appeared on BBC Radio 4's PM to defend its scariness.

Like Steven Moffat (who wrote last year's equally terrifying episode with the gas mask) before him, he's unrepentant. And this time? Can Gatiss promise the kids another big, scary moment? "I think so, yes."

The Idiot's Lantern is set in coronation Britain, 1953, a time of street parties, bunting and postwar austerity; the lantern of the title is television. Ask anyone of a certain age for their first memory of television and it's likely they'll recall gathering around a neighbour's set, alongside half the street, watching Queen Elizabeth II's coronation.

"Part of the mystery in this is that the Doctor and his crew arrive in a street and everyone has a TV aerial," Gatiss explains. "And Rose knows. She says, 'My gran said everyone had to pile into one person's house.' Yet here, everyone has a set."

Clearly, if you want to shake the nation's youth, do something sinister to their TV. "If children become afraid of their televisions, they might go outside and play and become less obese," says Gatiss, only half-joking.

"I was a TV-obsessed child, and I'm so excited about this story because I was able to write about early TV and Alexandra Palace and the whole Quatermass ethos. "

For those unfamiliar with the Quatermass ethos, Nigel Kneale's iconic Quatermass Experiment went out the month after the coronation and petrified audiences with its idea of a malevolent alien menace.

Alexandra Palace (known as "Ally Pally") near Muswell Hill in north London, was the site of Britain's - and the world's - first high-definition television service: the BBC.

"They found this wonderful street in Cardiff to double for Muswell Hill," explains Gatiss. "They put up bunting and everything, but there's a grimness to it. And the interior of the house is a wonderful design.

"And we spent a day at Ally Pally with Maureen Lipman. She plays a 50s continuity announcer and, because she was doing another show and could only spend one day with us, it had to be filmed near her house - in Muswell Hill. So we ended up shooting in the actual studio in Alexandra Palace where she would have been had she been the real announcer. It was magic, really."

Lipman has a lovely quote on her appearance. She said: "This will earn me my entire year's worth of street cred."

How times change. "You've nailed it," says Gatiss. "Once upon a time, it would have been her anti-street cred. Doctor Who is cool again. That's great news."

**

Read our 2005 interview with Mark Gatiss - or take a look at our full Doctor Who guide.
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