 |
 |
 |
| Click on an image to enlarge |
 |
|
|
|
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
The camera script breaks each song down into bars and beats which helps vision mixer Priscilla Hoadley (pictured) cut between the cameras. "It's that dance between the music and the cameras that makes for great music TV," says executive producer Mark Cooper. |
 |
 |
 |
Previous picture |
Next picture |
 |
|
 |
|
|
|
|
 |
MAGAZINE |
|
|
|
 |
Don't forget, you can enjoy more pictures, more news and more behind-the-scenes features in the latest issue of Radio Times magazine, on sale now.
This week's issue
Subscribe |
|
|
|
|
|
|
|
| EMAIL A FRIEND |
|
| Want to share this page with a friend? It's quick and easy! |
| Email a friend |
|
|
|
|
|
 |
|