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Lords of the ring
I don't want to get into a fight about it, but I'm no fan of boxing. I've no interest in watching two men beat the hell out of each other in front of a baying crowd. (Mind you, people watching fast cars going round and round a track baffles me just as much.) So explain this: why do I enjoy boxing movies so much?
Clearly, anyone with a passing interest in the grammar of cinema will appreciate the slow-motion grace of Martin Scorsese's boxing scenes in Raging Bull. And I think we all accept now that
Still Coen strong
Writing/directing brothers Joel and Ethan Coen have rediscovered the spark that rocketed them to indie glory 25 years ago with their modern western No Country for Old Men (currently in cinemas).
Set in Texas and revolving around money and bloody murder, it shares a common theme with the Coens 1983 neo-noir debut, the blistering Blood Simple.
Their leftfield success continued with wacky comedy Raising Arizona and 1930s gangster homage Miller's Crossing, before the Coens struck gold with multi-award-winning snowbound crime thriller Fargo.
Although less of a commercial hit, The Big Lebowski, in...
When worlds collide
If you work in brand marketing, you'd probably call it "cross-promotional synergy". The xenomorph (aka Alien) first met the yautja (aka Predator) in a 1989 comic. This led to a series of titanic clashes played out in a series of computer games and sci-fi novels.
A movie adaptation  AVP: Alien vs Predator  followed in 2004, now joined by a sequel, A V P R  Aliens vs Predator  Requiem (currently in cinemas).
In the interim, comics publisher Dark Horse have pitted Predator against Batman, Aliens against Superman, RoboCop against the Terminator, and, last year, Batman...
Not quite the Oscars
For the baffled, here's the key difference between the season's two major US film award ceremonies: the Golden Globes are voted for by the journalists of the Hollywood Foreign Press Association; the Academy Awards by the industry.
Because the Globes come first, they're regarded as a dry run as well as a tip sheet for the Oscars. Some years, it's as if the 6,000-plus members of the Academy of Motion Picture Arts and Sciences have simply copied the HFPA's homework.
The Golden Globes would normally be handed out at a fundraising dinner far more informal...
Waiting for the Night shift
If there's one thing that ruffles the feathers of RT readers, it's giving away the endings of films. You can just about get away with hinting that the ship sinks in Titanic, but otherwise, if in doubt, remain tight-lipped.
This makes writing about M Night Shyamalan extremely tricky. If the writer/director/producer is known for one thing, it's his twist endings to the point where he's now hidebound by audience expectation.
It was The Sixth Sense that made his idiosyncratic name (the "M" stands for Manoj and the "Night" he added, somewhat pretentiously, in college). Don't worry, I'm...
Do you want ice with that?
It may be that images of the mighty polar bear balancing on the last piece of receding Arctic ice as if it were a Fox's Glacier Mint, will be enough to spur the human race into climate change action. Never underestimate the power of a cute animal. But does global warming explain cinema's current obsession with snow and ice?
I detect a definite planet-wide appreciation of the poles in the proliferation of animated features like the musical penguin extravaganza Happy Feet and its inferior, beach-set cousin Surf's Up.
Since the stirring, Morgan Freeman-narrated documentary March...
Hollywood's last boy scout
He was short and thin. His ears stuck out. His beaky nose was so embarrassing that he stuck tape to the tip of it and his forehead, praying it would develop a tilt. When teams were chosen for any game, he was always the last to be picked.
Not my description of the young Steven Spielberg, but biographer John Baxter's. The boy who would become arguably the greatest popular film-maker of our time was never cool. At high school in Phoenix in the early 1960s, he joined the Boy Scouts, learned the clarinet and was obsessed with movie...
See you later, prestidigitator
Christopher Nolan's tale of duelling Victorian magicians, The Prestige, begins with a fine explanatory passage from Michael Caine. To paraphrase: every great magic trick consists of three parts. The first is "The Pledge". The magician shows you something ordinary: a deck of cards or a bird. The second is "The Turn", where he takes the ordinary and makes it do something extraordinary, like disappear. But the hardest part is the third, in which he has to bring it back that's "The Prestige".
Movie-making pulls off a similar trick. As any screenwriting course will tell you, equilibrium...
Laughing all the way to Burbank
During the war, American GIs were said, with a mixture of male envy and female admiration, to be "oversexed, overpaid and over here". Well, we're finally getting our own back, having parachuted an entire regiment of British comedians into America's backyard, there to beat them at their own game.
I don't know about oversexed although if lurid tabloid stories are to be believed, Steve Coogan will keep the British end up but a new wave of comics like Eddie Izzard, Ricky Gervais, Simon Pegg and Sacha Baron Cohen are certainly reaping big bucks "over there", without...
How the western has won
As a fan of westerns, I will always return to the classics of John Ford (My Darling Clementine), Howard Hawks (The Big Sky) and Anthony Mann, whose Winchester '73 was one of five collaborations out west with James Stewart. These examples come from the genre's heyday.
In his book The Crowded Prairie, historian Michael Coyne sets the premature demise of the western in 1980 (the very year, he reminds us with some irony, that Americans elected screen cowboy Ronald Reagan as president). In short order, three revisionist westerns flopped: The Long Riders, Tom Horn and...
Don't know much about history . . .
There are many reasons why you might wish to see Elizabeth: the Golden Age at the cinema the imperious yet impish performance of Cate Blanchett, the ravishing wigs, an entire Spanish Armada created by computer but historical accuracy should not be among them. Director Shekhar Kapur's film takes countless liberties, not least showing Elizabeth in search of a husband with whom she might produce an heir she was in her 50s at the time of the Armada. Some critics have taken issue with this, but I think it's an unimportant criterion upon which to...
Enter the Dragons
In 1989, Meryl Streep, greatest screen actress of her generation, played a romantic novelist and sex object in She-Devil, while Roseanne Barr filled the role of the dowdy-turned-satanic housewife who sets out to bring her down. Crucially, Streep was 40, and just about to cross that invisible Hollywood divide where the glam female roles dry up and you get to play mums ... or monsters.
For a few years, Streep slipped into a domestic holding pattern. Then, entering her 50s, she forged a new and rewarding sideline in fearsome harridans. First, the monstrous, machiavellian senator in The...
Neighbourhood Watch
It strikes me as significant that Tony Soprano drove a red Chevy Suburban in the early days of The Sopranos. Throughout the entire six series we saw inside the mind of a Mafia boss who existed on the outskirts. Operating from New Jersey, Tony's "family" were forever expected to genuflect to New York.
But the suburbs are certainly not lacking in action. Supposed utopias, they promise a better life with their barbecues, sprinklers and long driveways.
In the movies, however, the suburban dream usually masks something much more nightmarish. While affectionately pastiched in films like Edward Scissorhands,...
On the road . . . again
The British road movie is rare. And here's an example of why. 2001's moving and funny Last Orders saw Ray Winstone, Tom Courtenay, David Hemmings and Bob Hoskins driving from south-east London to Margate, on the Kent coast, to scatter Michael Caine's ashes. This journey of 73.5 miles takes just under two hours. If they'd forgotten the urn, they could have turned back at Medway Services and still made it before nightfall.
To compare: last year's surprise indie hit Little Miss Sunshine, in which a dysfunctional family head from Albuquerque in New Mexico to the titular junior...
Reel Women
When Pedro Almodóvar's captivating modern ghost story Volver was shown at the Toronto film festival last year, its Spanish star Penélope Cruz told reporters she'd had trouble leaving her character behind not to mention her character's behind! She had been asked to wear what she delicately referred to as a "false ass" for the part of Raimunda because Almodóvar wanted her to resemble an Italian film heroine of the 1950s and 60s, and her own backside was deemed too "slender".
Cruz certainly cuts a suitably voluptuous figure in yet another celebration of womanhood from the...
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